Overland 254 is the first in a set of four special editions dedicated to commemorating 70 years of Overland. This issue also launches a new design and format by Common Room Editions, inspired by Overland’s trove of radical literature spanning from 1954 to today. Andrew Brooks and Astrid Lorange consider the asymmetrical responses to two events: the wearing of keffiyehs by three cast members during the Sydney Theatre Company’s production of Anton Chekov’s The Seagull, and, on the same day in the US, the shooting of three Palestinian men wearing keffiyehs. Jeff Sparrow uncovers the Sydney Herald’s legacy of Terra Nullius, and Daniel Lopez writes on Marx, Meredith and the festival as an inversion of modern life.
In an era of increasing economic inequality and social alienation, community-building, collective political action and workers’ unions are more vital than ever.
How does money, time, and power alter our daily lives, limiting some while others rise to the ‘top’? In our work, our lives, and our communities, how should things be? How might we change our collective future?
The Fair Australia prize encourages artists and writers of fiction, poetry and essays to explore these questions. We want artists and writers to be part of setting a new agenda.
Winning entries will be published in a special Fair Australia edition in Overland 237, to be launched in Melbourne in early December.
The prize is co-sponsored by the National Union of Workers and Maurice Blackburn Lawyers, with support from the Migrant Workers Centre, the Media, Entertainment & Arts Alliance, the Victorian branch of the National Tertiary Education Union and Overland.
Please bear in mind that entrants are encouraged not to take the theme too literally. We encourage you to think about the theme broadly and laterally; to use it as a jumping off point for your own ideas.
Here are a few prompts:
Had enough? Withdraw your labour. Down tools, occupy the factory. It’s the snake you’ve provoked. The match being struck. The hammer on the anvil. Sparks fly. Don’t cross the picket line. Take to the streets. Shaky viral footage on a loop across the networks. A swing and a miss. Leave the floor unswept, the dishes in the sink. The sky darkens before the sudden flash. All that electricity. Bombs fall in enemy territory. Days turn to weeks. What could you withhold? Keep digging: you might find oil, find gold. 1856, 1968. The police horses swish their tails and twitch. A staring match. Bloodied knuckles, bone on bone. Sandstone. The hunger of the suffragettes. The lock on the gate. The chime of the clock. What would make you walk out? What would it take?
The $20,000 Fair Australia Prize is made up of 10 smaller prizes:
There are prizes in the following categories:
Entry to the Fair Australia Prize is free. Enter via one of the category links at the bottom of the page.
Guidelines: please read and ensure eligibility before submitting.
Members of the NUW, NTEU or MEAA kindly note: there is no separate category for union member entries. Instead, simply tick the box that asks if you are a member on the entry form for your category (whether that is cartoon/graphic, fiction, poetry or essay)
*For the purposes of this competition, a ‘migrant worker, writer or artist’ defines a person living and working (temporarily or permanently) in a country where they were not born, and where they are not currently a citizen.
In each category, submissions will be read anonymously by a panel of judges.
Entrants are encouraged to respond creatively and imaginatively – the competition seeks to foster innovative thinking and expression rather than dogma or didacticism. See the full list of 2019 judges.
Looking for inspiration? Try here:
– Background material for the prize
– Previous winning entries
– Recent Overland pieces touching on similar themes:
Essay category Current subscribers enter the essay competition here Non-subscribers enter the essay competition here
Current subscribers enter the essay competition here
Non-subscribers enter the essay competition here
Fiction category Current subscribers enter the fiction competition here Non-subscribers enter the fiction competition here
Current subscribers enter the fiction competition here
Non-subscribers enter the fiction competition here
Poetry category Current subscribers enter the poetry competition here Non-subscribers enter the poetry competition here
Current subscribers enter the poetry competition here
Non-subscribers enter the poetry competition here
Cartoon / graphic / art category Current subscribers enter the graphic competition here Non-subscribers enter the graphic competition here
Current subscribers enter the graphic competition here
Non-subscribers enter the graphic competition here
The Fair Australia Prize is supported and funded by the National Union of Workers, a large union that is made up of workers in a diverse number of industries including warehousing, cold storage, poultry, pharmaceutical, dairy and market research. Increasingly, NUW members are dealing with insecure and precarious work.
The NUW stands for jobs that all workers can count on, whether permanent, casual, contract or labour hire. NUW workers and community members collaborate and organise to build a fair Australia inside and outside the workplace.
The NUW believes that a union must be part of a broad social movement to create democratic change, equality and sustainable jobs.
Maurice Blackburn is proud to be Australia’s leading social justice law firm. They’ve built a reputation on the unwavering belief that the law should serve everyone, not just those who can afford it. Maurice Blackburn is a national firm with over 30 offices throughout Australia and more than 1000 of the country’s best and most respected legal professionals fighting for everyday Australians and their rights to feel free, safe and heard.
The Migrant Workers Centre (MWC) is a new unit at Victorian Trades Hall Council. The MWC is focused on ensuring migrant workers voices are heard, and works with community groups, unions and workers to deliver education programs, run campaigns and organise workers from migrant backgrounds.
The MEAA was formed from the merger of three organisations: the Australian Journalists Association, Actors Equity of Australia, and the Australian Theatrical & Amusement Employees Association. members include people working in TV, radio, theatre & film, entertainment venues, recreation grounds, journalists, actors, dancers, sportspeople, cartoonists, photographers, orchestral and opera performers as well as people working in public relations, advertising, book publishing and website production.
The NTEU provides a united voice for tertiary education workers, without the old, arbitrary divisions between different parts of the industry or different categories of workers. Today, the NTEU has members organised in universities, TAFE colleges, research institutes, adult education providers, student organisations, university and college companies and more
Image: Molly Adams / Flickr
