Published 20 November 201711 December 2017 · News / Writing / Announcement Announcing Overland’s next resident writer Editorial team Supported by the Copyright Agency Cultural Fund, the Overland Writers Residency aims to address a lack of opportunities for marginalised writers. In 2017, the program was open to First Nations writers at any stage of their writing career. We are very pleased to announce the successful applicant of our next residency: Laniyuk Garcon Born of a French mother and a Larrakia/Kungarrakan/Gurindji father Laniyuk’s writing often reflects the intersectionality of her cross-cultural and queer identity. She was fortunate enough to contribute to the book Colouring the Rainbow: Blak Queer and Trans Perspectives as well as winning the Indigenous residency for Canberra’s Noted Writers Festival 2017. She currently lives in Melbourne but is hoping to one day return to her home town Darwin. During the three-month residency, running late November to late February, Laniyuk will receive a weekly stipend, private workspace at the Overland office and a mentorship with the extraordinary writer, poet and editor Ellen van Neerven. Editorial team More by Editorial team › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 11 December 202411 December 2024 · Writing The trouble Ken Bolton’s poems make for me, specifically, at the moment Linda Marie Walker These poems doom me to my chair and table and computer. I knew it was all downhill from here, at this age, but it’s been confirmed. My mind remains town-size, hemmed in by pine plantations and kanite walls and flat swampy land and hills called “mountains”. 17 July 202417 July 2024 · Writing “What is it that remains of us now”: witnessing the war on Palestine with Suheir Hammad Dashiell Moore The flame of her poetry scorches the states of exceptions that allow individual and state-sponsored violence to continue, unjustified, and unhistoricised. As we engage with her work, we are reminded that "chronic survival" is not merely an act of enduring but a profound declaration of existence.