Published 31 March 2009 · Main Posts take that, George Orwell Jeff Sparrow Nice story about how TS Eliot, working for a publisher at Faber and Faber, rejected Orwell’s Animal Farm: When Orwell submitted his novel, an allegory on Stalin’s dictatorship, Eliot praised its “good writing” and “fundamental integrity”. However, the book’s politics, at a time when Britain was allied with the Soviet Union against Hitler, were another matter. “We have no conviction that this is the right point of view from which to criticise the political situation at the current time,” wrote Eliot, adding that he thought its “view, which I take to be generally Trotskyite, is not convincing”. Eliot wrote: “After all, your pigs are far more intelligent than the other animals, and therefore the best qualified to run the farm – in fact there couldn’t have been an Animal Farm at all without them: so that what was needed (someone might argue) was not more communism but more public-spirited pigs.” That cry for more public-spirited pigs has a contemporary resonance in the era of the GFC: we don’t need fundamental change, most mainstream commentators tell us, we just need a different brand of porkers running the banks. After all, the corporate piggies are ever so much more intelligent than the rest of us. More specifically, though, Eliot’s response reminds us of how, for a brief time at least, the Stalinist argument about how any criticism of the Soviet Union amounted to support for fascism was actually hegemonic on the Right. In Australia, that was the era in which Joe Stalin appeared on the cover of Women’s Day. Jeff Sparrow Jeff Sparrow is a Walkley Award-winning writer, broadcaster and former editor of Overland. More by Jeff Sparrow Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays First published in Overland Issue 228 25 May 202326 May 2023 · Main Posts The ‘Chinese question’ and colonial capitalism in New Gold Mountain Christy Tan SBS’s New Gold Mountain sets out to recover the history of the Gold Rush from the marginalised perspective of Chinese settlers but instead reinforces the erasure of Indigenous sovereignty. Although celebrated for its multilingual script and diverse representation, the mini-TV series ignores how the settlement of Chinese migrants and their recruitment into colonial capitalism consolidates the ongoing displacement of First Nations peoples. First published in Overland Issue 228 15 February 202322 February 2023 · Main Posts Self-translation and bilingual writing as a transnational writer in the age of machine translation Ouyang Yu To cut a long story short, it all boils down to the need to go as far away from oneself as possible before one realizes another need to come back to reclaim what has been lost in the process while tying the knot of the opposite ends and merging them into a new transformation.