Published 29 October 200829 October 2008 · Main Posts radical SF admin China Miéville’s selection of radical SF titles has been kicking around the intertubes for years but it’s still worth reposting, both because it’s a great introduction to some fantastic books, and because it provides an excuse to link to Rjurik Davidson’s interview with China and Kim Stanley Robinson in Overland 188. That issue also contains SF stories by Ben Peek, Jill Sparrow & Paul Voermans and Susan Wardle, as well as a widely discussed essay by Jess Whyte on why belonging to the ‘reality based community’ is not necessarily such a good thing. In 2009, Overland plans to publish a special supplement containing speculative fiction stories set in Melbourne. Stay tuned for more details. Below is the start of Miéville’s list. You can find the rest of it here. Iain M. Banks—Use of Weapons (1990) Socialist SF discussing a post-scarcity society. The Culture are “goodies” in narrative and political terms, but here issues of cross-cultural guilt and manipulation complicate the story from being a simplistic utopia. Edward Bellamy—Looking Backward, 2000–1887 (1888) A hugely influential, rather bureaucratic egalitarian/naïve communist utopia. Deals very well with the confusion of the “modern” (19th Century) protagonist in a world he hasn’t helped create (see Bogdanov). Alexander Bogdanov—The Red Star: A Utopia (1908; trans. 1984) This Bolshevik SF sends a revolutionary to socialist Mars. The book’s been criticized (with some justification) for being proto-Stalinist, but overall it’s been maligned. Deals well with the problem faced by someone trying to adjust to a new society s/he hasn’t helped create (see Bellamy). Emma Bull & Steven Brust—Freedom & Necessity (1997) Bull is a left-liberal and Brust is a Trotskyist fantasy writer. F&N is set in the 19th Century of the Chartists and class turmoil. It’s been described as “the first Marxist steampunk” or “a fantasy for Young Hegelians.” Mikhail Bulgakov—The Master and Margarita (1938; trans. 1967) Astonishing fantasy set in ’30s Moscow, featuring the Devil, Pontius Pilate, The Wandering Jew, and a satire and critique of Stalinist Russia so cutting it is unbelievable that it got past the censors. Utterly brilliant. Katherine Burdekin (aka “Murray Constantine”)—Swastika Night (1937) An excellent example of the “Hitler Wins” sub-genre of SF. It’s unusual in that it was published by the Left Book Club and it was written while Hitler was in power, so the fear of Nazi future was immediate. Octavia Butler—Survivor (1978) Black American writer, now discovered by the mainstream after years of acclaim in the SF field. Kindred is her most overtly political novel, the Patternmaster series the most popular. Survivor brilliantly blends genre SF with issues of colonialism and racism. Julio Cortázar—“House Taken Over” (1963?) A terrifying short story undermining the notion of the house as sanctity and refuge. A subtle destruction of the bourgeois oppositions between public/private and inside/outside. admin More by admin Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays First published in Overland Issue 228 25 May 202326 May 2023 · Main Posts The ‘Chinese question’ and colonial capitalism in New Gold Mountain Christy Tan SBS’s New Gold Mountain sets out to recover the history of the Gold Rush from the marginalised perspective of Chinese settlers but instead reinforces the erasure of Indigenous sovereignty. Although celebrated for its multilingual script and diverse representation, the mini-TV series ignores how the settlement of Chinese migrants and their recruitment into colonial capitalism consolidates the ongoing displacement of First Nations peoples. First published in Overland Issue 228 15 February 202322 February 2023 · Main Posts Self-translation and bilingual writing as a transnational writer in the age of machine translation Ouyang Yu To cut a long story short, it all boils down to the need to go as far away from oneself as possible before one realizes another need to come back to reclaim what has been lost in the process while tying the knot of the opposite ends and merging them into a new transformation.