In this highly anticipated new issue, we encounter brilliant examples of what writing can do in a hypernormal time – whether that's Benjamin Gready on the absurdity of fieldwork on land under active occupation or Zahid Gamieldien's short story about a dancing rat who finds itself enmeshed in systems too shadowy to be true. But, as with the emotional cycles of resistance, hope and snark are features too. Dan Hogan considers the lawn as a class obsession, and π.ο. asks a question: why people hate poetry? We also read about a rakhasa family who passes on wisdom to their young kin, a story by Shefali Mathew. And you’ll find new poetry by Eli McLean, Fiona Hile and Sol Chan, among others, as well as a comic by Safdar Ahmed, plus heaps more. Co-editors Evelyn Araluen and Jonathan Dunk write in the editorial, "Writing always matters, but it matters most directly in the face of this kind of thuggish assault on language, our first and last commons. We can’t let the bastards have it.”
Sponsored by Trinity College at the University of Melbourne and supporters, the Nakata Brophy Prize for Young Indigenous Writers, established in 2014 and now in its eleventh year, recognises the talent of young Indigenous writers across Australia.
It is the first of its kind in Victoria, and complements Trinity’s ongoing commitment to Indigenous education and reconciliation. The initiative is named after the first two Indigenous residential students at Trinity College – Sana Nakata and Lilly Brophy. The aim of the prize is to provide the winner with the opportunity to focus on and develop their writing skills and portfolio.
First prize includes $5000, an optional writing residency at Trinity College, and publication of the successful piece in Overland. The prize alternates between poetry and short fiction each year.
In 2025, first prize will be awarded to the best short story up to 3000 words by an Indigenous writer who is 35 years or younger at the closing date of the competition. A runner-up prize of $500 may also be awarded.
The prize is open now and will close 27 July 2025 at 11:59pm AEST.
Eligibility and selection criteria:
The residency
The Trinity College residency will provide the writer with a bespoke opportunity for professional and creative engagement with the wider Melbourne writing scene, community involvement with the student cohort at the College, and social and professional engagement with staff at the College. Trinity will cover the costs of flights, accommodation, and all meals during the residency period.
Subject to the winner’s availability, the residency will be hosted at Trinity College between March and May to facilitate engagement with one or both of the Blak&Bright First Nations Literary Festival and the Melbourne Writers Festival. The residency will provide ample time for the fellow to work on their writing.
There will be opportunities to engage in campus and college life, to give workshops or talks, and receive writing mentorship. Trinity will connect the writer-in-residence with staff and students, including their Indigenous Engagement and Support Coordinator and potential mentors, during the residency.
Subject to the wishes of the Indigenous writer-in-resident, the residency may include:
About Trinity College
Trinity College is the oldest residential college at the University of Melbourne. It is home to over 300 residential students, including a number of Indigenous students. Trinity’s Indigenous programs have been developing since Sana Nakata and Lilly Brophy became the first Indigenous students to attend the College.
Read the previous winners: Jessica Hart (poetry); Marika Duczynski (fiction); Ellen van Neerven (poetry); Evelyn Araluen (fiction); Raelee Lancaster (poetry); Allanah Hunt (fiction); Grace Lucas-Pennington (poetry); Jasmin McGaughey (fiction).
Please follow this link to enter the prize.