Published in Overland Issue 231 Winter 2018 · Uncategorized Runner-up, Nakata Brophy Prize: revolve Susie Anderson I first noticed it in England, or perhaps it finally found me. I had assumed all this time I was being watched and here was proof. Clear halo in deep navy, shining iris nightly, no stars. Second time the orientation was more natural, immense. I walked to sky’s edge where town stops. Lay underneath stars low and heavy enough to reach. The bright wanting more. All moon all the time, the third time. Celestial ceremony captured in ochre. Made it not one but two, three, four eyes that follow, even by day. That old one walked the earth before there was moon. Held a torch and created the day, never made it back to her son. What will we do if we lose that fire. Finally we learned how it worked. Did we move or did the moon. Or was it both. Anyway we drove towards it that night. It was super, and the next one will be blue. Read the rest of Overland 231 If you appreciate Overland’s support of new writers, buy the issue Or subscribe and receive four outstanding issues for a year Susie Anderson Susie Anderson uses words to reconnect with culture. A Wergaia woman from Western Victoria, her poetry and nonfiction have appeared in The Lifted Brow, Rabbit Poetry, un magazine, Artlink Australia and she was part of the anthology Growing Up Aboriginal in Australia. Recently, Susie was a writer-in-residence at Overland. More by Susie Anderson › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 10 April 202610 April 2026 · open letter Open letter: RMIT staff and students oppose disciplinary action against Gemma Seymour over video opposing links to weapons ties RMIT University Staff and Students Freedom of speech and expression is absolutely vital in academic institutions. Students who engage in activism should not be punished for doing so, and discipline procedures are not there to be abused as a tool of intimidation. We call for the disciplinary process against Gemma to cease immediately. 9 April 202610 April 2026 · CoPower Against the will to engineer: Richard King’s Brave New Wild Ben Brooker The response demanded of us in the twenty-first century must operate at the level of metaphysics as well as the material, addressing our underlying assumptions about the instrumentalisation of nature and what constitutes a meaningful life in the face of technology’s relentless advance. To neglect that deeper terrain is to concede, in advance, the very ground on which our resistance to the machine must stand.
