Published in Overland Issue 225 Summer 2016 · Uncategorized Issue 225 admin REGULARS Editorial Natalie Harkin giovanni tiso mel campbell alison croggon Contributors FEATURES jason wilson the new patriotism Trumpism beyond Trump vashti kenway no pasarán! Fighting Australia’s Far Right Claire Parfitt & Kirsty McCully the state of the working class Debt and precarity Jeanine Leane other peoples’ stories When is writing cultural appropriation? katie dobbs radical passivity Patty Hearst to Ottessa Moshfegh helen heath using/abusing fembots The ethics of sex with robots tom clark form versus content Misogyny versus Blue Ties liam byrne the antis On the conscription plebiscite fiction tony birch liam Alex philp agistment fiction prize Cameron Weston Sweeping First place, Story Wine Prize POETRY charlotte guest egg tempera networking drinks claire nashar story Marty Hiatt on the origin of Poetry a sapphic collaboration On the Occasion of Gig Ryan’s Sixtieth Birthday artwork sam wallman Guest artist issue 225: cover, illustrations pages 17, 25, 46–47 brent stegeman All other artwork FAir australia Winners of the 2016 NUW Fair Australia Prize admin More by admin › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 17 January 202517 January 2025 · rape culture Neil Gaiman and the political economy of rape Emmy Rakete The interactions between Gaiman, Palmer, Pavlovich, and the couple’s young child are all outlined in Shapiro’s article. There is, though, another figure in the narrative whom the article does not name. Auckland city itself is a silent participant in the abuse that Pavlovich suffered. Auckland is not just the place where these things happen to have occurred: this is a story about Auckland. 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this.
