Published in Overland Issue 222 Autumn 2016 · Uncategorized Issue 222 admin REGULARS Editorial – Jacinda Woodhead Vane Lindesay On John McLaren Mel Campbell Natalie Harkin Giovanni Tiso Alison Croggon FEATURES Ben Brooker Production lines of flesh and bone Meat-eating and the left Stephanie Convery Get your hands off my sister Rape and feminist justice Antony Loewenstein After independence South Sudan five years on Maxine Beneba Clarke The current inhabitants of the island A memoir AJ CarrutHErs, lia inCoGnita, saMuEl waGan watson, ElEna GoMEz Four perspectives on race and racism in Australian poetry A discussion Dean Brandum and Andrew Nette Police fictions On the history of crime television FICTION aliCE punG, EllEn van nEErvEn, stEpHaniE ConvEry Neilma Sidney Short Story Prize report laurEn FolEy First place: K-k-k ElizabEtH tan Coca-Cola birds sing sweetest in the morning As In the end, in the head Jo lanGdon What do you tell JaCk latiMorE Where waters meet POETRY Peter MintEr and toby FitCH 2015 Judith Wright Poetry Prize report Ella o’kEEFE First place: alkaway Omar Sakr Second place: Not so wild Jakob ziGuras Third place: Jet lag song nets ART wORk MiCHEllE Farran Brent stEGEMan admin More by admin › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 18 December 202418 December 2024 · Nakata Brophy Prize Dawning in the rivulet of my father’s mourning Yasmin Smith My father floats words down Toonooba each morning. They arrive to me by noon. / Nothing diminishes in his unfolding, not even the currents in midwinter June. / He narrates the sky prehistorically like a cadence cutting him into deluge. 16 December 202416 December 2024 · Palestine Learning to see in the dark Alison Martin Images can represent a splice of reality from the other side of the world, mirror truths about ourselves and our collective humanity we can hardly bear to face. But we can also use them to recognise the patterns of dehumanisation that have manifested throughout history, and prevent their awful conclusions in the present. To rewrite in real time our most shameful histories before they are re-made on the world stage and in our social media feeds.
