Published in Overland Issue 222 Autumn 2016 · Uncategorized Issue 222 admin REGULARS Editorial – Jacinda Woodhead Vane Lindesay On John McLaren Mel Campbell Natalie Harkin Giovanni Tiso Alison Croggon FEATURES Ben Brooker Production lines of flesh and bone Meat-eating and the left Stephanie Convery Get your hands off my sister Rape and feminist justice Antony Loewenstein After independence South Sudan five years on Maxine Beneba Clarke The current inhabitants of the island A memoir AJ CarrutHErs, lia inCoGnita, saMuEl waGan watson, ElEna GoMEz Four perspectives on race and racism in Australian poetry A discussion Dean Brandum and Andrew Nette Police fictions On the history of crime television FICTION aliCE punG, EllEn van nEErvEn, stEpHaniE ConvEry Neilma Sidney Short Story Prize report laurEn FolEy First place: K-k-k ElizabEtH tan Coca-Cola birds sing sweetest in the morning As In the end, in the head Jo lanGdon What do you tell JaCk latiMorE Where waters meet POETRY Peter MintEr and toby FitCH 2015 Judith Wright Poetry Prize report Ella o’kEEFE First place: alkaway Omar Sakr Second place: Not so wild Jakob ziGuras Third place: Jet lag song nets ART wORk MiCHEllE Farran Brent stEGEMan admin More by admin › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 19 February 2025 · Disability The devaluing of disability support Áine Kelly-Costello and Jonathan Craig Over the past couple of decades, disabled people in much of the Western world have often sought, or agreed to, more individualised funding schemes in order to gain greater “choice and control” over the support we receive. But the autonomy, dignity and flexibility we were promised seems constantly under threat or out of reach, largely because of the perception that allowing us such “luxuries” is too expensive. 17 February 202517 February 2025 · the arts Seeking a quieter Australia: on the silencing of Khaled Sabsabi Micaela Sahhar For five days, the Australian representative to the 2026 Venice Biennale was to be the first ever Arab-Australian artist selected for this honour.
