Published in Overland Issue Online Occupy Issue · Uncategorized Issue Occupy Jacinda Woodhead Occupy special published 27 January 2012 In the wake of economic crises, political atomisation and an increase in militarised policing, what does the Occupy movement mean? Contents Jacinda Woodhead – Editorial Occupy – Features Sean Scalmer – ‘The world of all of us’ Occupying history Elizabeth Humphrys – From Global Justice to Occupy Everywhere The antecedents to a new movement Jude McCulloch and David Vakalis – Something old, something new, something borrowed, something blue Militarised policing and Occupy Melbourne Ali Alizadeh – The revolution to come? Revolutions past and present Occupy – The view from Europe Giovanni Tiso – Europe’s Perfect Ruins The crisis on the continent The OWS perspective Manissa McCleave Maharawal and Chris Maisano – ‘We are at the beginning’ Activists in Dialogue about Occupy Wall Street Jacinda Woodhead Jacinda Woodhead is a former editor of Overland and current law student. More by Jacinda Woodhead › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.
