Published in Overland Issue 206 Autumn 2012 · Uncategorized california Mathew Abbott the field out there is that expanse hazed in glary tired light the field gone to yellow at the endings birds are out in it and too much with us the passing of our train indistinct to them they know in the upwash finding shapes to split the flow fields the towns have the sense of being paraded the life in them stripped back to glint the turbines turn the head anemotropic hum the skull to juice the mind the field out there meets the field of the mind at the horizontal the faked water of the heat the turbines cut Mathew Abbott Mathew Abbott lives in Queanbeyan with his wife Emilie and his dog Champion Ruby. Australian Poetry will publish his first collection, wild inaudible, in April. He maintains a blog at beetleinabox.tumblr.com, and plays in Life and Limb, a punk band named after a Fugazi song. More by Mathew Abbott › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.