It is essential for other writers, makers, and performers who don’t stem from the culturally dominant white, middle-class world that produces most ‘Australian culture’ to see and feel and experience these works, these different ways of making and ‘languaging’, so they may be emboldened to do the same. And, importantly, so that the ways in which we see and understand ourselves continues to be ever more nuanced, sophisticated and evolved.

An in-depth interview with some of the cast and crew of Belvoir Street Theatre’s production of The Drover’s Wife.

That is the last time I will ever shave to make up for somebody’s bad acting abilities.

This podcast documents important moments from the 2018 Art & Industry Festival that relate to the history and significance of the West Gate Bridge. It will take you to symposiums; intimate accounts from workers who survived the collapse; scenes from the recent production of The Bridge, a play written by the late Vicki Reynolds in 1990; and, finally, to a special performance of ‘Throw your arms around me’ by Mark Seymour, James Henry and local community singers (led by Jennifer Lund), largely sung in the Yuwaalaraay language.

The power of the debate – as an illustration of gender politics in 1971 – is patent, a more than ample foundation on its own, with Mailer looking more of a fool as time goes on in his attempts to rein the women in, belittle their arguments and remain on top. Its fascination for us today lies also in the language and manners, striking in their formality, even in Johnston’s experimental prose and radical politics; Greer and Trilling are just as prolix, speaking in paragraphs we no longer hear in these contexts, worn down as we are by decades of festivals, talk fests and technology.