Published in Overland Issue 258 2025 · Uncategorized referencing suburbs Laura Charlton you are a thin writer in a dark age. you will discover the back corner of your own life and settle it. build upon it your matchstick steelworks, cut from it your molasses- black diamonds. you are no example. to be the everyman you would need to fail yourself. what is your audience? the tiled hallway. your writings thicken with the old economics, too much gin at the open mic. you tuck a street name in the third line — your pleasure like a duchess showing one hollow ankle. there is no despair but the personal, no world but the visible. all sex and manners, no hacked phlegm, no family tax benefit a or b, no rent, no language in the abattoir or of the abattoir, a vapid night with no moon so no dark, no ancient plant matter burned and beaten into Color- bond, no workplace injuries to go uncompensated, no children or elections. in a poem about soup you anonymise the lesbian bar aware that there’s no point, everyone knows its name, it’s the only one left. Laura Charlton Laura Charlton writes poetry, fiction, and plays. She is part of the editorial teams at Voiceworks and Going Down Swinging. She lives and works on Wurundjeri country. More by Laura Charlton › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 5 June 20265 June 2026 · Friday Fiction Hobo portraits: Treadly Tim & the falling star Patrick Holland We crossed the half-buried railway line and the crazy man known as Treadly Tim turned a corner around the van park on Simeon Street and came toward us on his Malvern Star bicycle. 3 June 20263 June 2026 · Reviews The past in the object: Vanessa Berry’s Calendar Courtney Powell In her latest book, Calendar, Vanessa Berry explores the relationships that are formed between people and material culture, both fleeting and sentimental, and how they can come to represent us.