Published in Overland Issue 256 Spring 2024 · Poetry Queueing to be pilloried Michael Farrell Create from death, that’s the only way. A series of North Italian film directors travelled on a boat to Sicily, where they wandered, amazed, and treated the locals like ground birds. The aristocracy pelted them with gelato, or birdshit, whatever was to hand. The critics were, like, what’s this hodgepodge of excellence, and anthropology. We were all scared in our way. When the Astor Cinema opened in 1936, a million moviegoers queued from St Kilda to Geelong. Now the queue barely gets to Windsor. Also, British TV was more dictionally varied in 2023, than in 1973 or even 2013. Pros [prose] and [quinze Cairns] cons. If a royal education can’t be put to good use with a scorching epithet, then give them all a camera, and a channel. Be kind, like a cow. Have a beak. Dirty monkeys shook the bars for baths. Then they wouldn’t get out; then they got chills and died. Put them back in the streets where they came from. Human civilisation didn’t make them happy; they weren’t prepared for a life of biodegradable lunchboxes, and forced companionship. Of an alphabet stretching towards the vagaries of a translated Russian novel. Let alone the nouveau roman, let alone spam emails, or all caps poetry. Matilda, named for the swag, gushed for a few days, then went silent, then began to bully anyone with a sheep’s face. We were careful tilting our heads because we knew we were also tilting our brains and everything in it. [It took poetry three years to produce, in Kenneth Slessor’s “Five Bells”, a poem as popular as cinema.Kellogg’s, a pre-WWI entity from Michigan, advertised its Botany-manufactured cornflakes {originally made with wheat, but by then sourced from Aussie farms} as the food to snack on, while reading “Five Bells”. When the poem went online, its reader responses were relentlessly trolled. I made my own (co-directed) movie in 1987, unknowingly reflecting the anti-symbolic movement of those late cold war years.] Hard to fathom now, but back then every B and S (Battlers and Spinsters) ball was Rocky Horror themed, until Crocodile Dundee took over. Some wag, or hater of rural culture, put a live crocodile (poor thing) in the hall of a ball, in NSW (Wagga Wagga perhaps) one year, which was the beginning of the end. John Farnham didn’t want them playing “You’re the Voice”, if they were going to associate themselves with animal cruelty. Mixed messages, weren’t they all? Michael Farrell Michael Farrell is from Bombala, NSW, and has lived in Melbourne since 1990, predominantly in St Kilda and Fitzroy. Recent book publications are Googlecholia and Family Trees (both Giramondo), as well as inclusions in the Best of Australian Poems 2023 (AP), Admissions (Upswell), and Fishing for Lightning (UQP) anthologies. More by Michael Farrell › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 5 November 2025 · Poetry Force posture agreement Miroslav Sandev The men of Darwin have all taken their rottweilers / out for a walk at the same time. / For our protection. Like Pine Gap: / all those big white eyes that scan / the darkening horizon. / The eyes stay woke, so that we may sleep. / Or so they say. 1 22 August 202522 August 2025 · Poetry starmight K.A Ren Wyld Ending genocide and apartheid is the story. Palestinian liberation is the story. / Aboriginal rights is the story. Truth, justice, treaties and land back is the story. / Global Indigenous peoples’ solidarity and joy is the story. Kinship is the story.