Published in Overland Issue 202 Autumn 2011 · Writing / Main Posts Survey John Kinsella It’s been too hot during the day to survey the block – ornate language doesn’t do the trick, it’s a physical, material, and pragmatic performance … not ‘radical empiricism’, but an act of preservation. The difference here; the difference elsewhere. I work this over as I note the fast, hot winds have brought down two great limbs from the eucalypt by the tank, the green leaves already seared and probably ‘dead before they hit the ground’. The water trough I fill for kangaroos and other wildlife in this desiccated habitat is almost dry and what moisture remains informs a bloom of algae. I clean and refill. Red ants bite my feet and I carefully brush them away. A hawk looks for a safe perch to settle for the night. Each substance ‘inheres’, or is it ‘in which they inhere’? as William James might attribute to this wood from the fallen tree, questioning its quality of ‘combustibility and fibrous structure’. I – we – manage our days because of those attributes, those qualities of burn. I survey the block in the relative cool of evening while there’s still enough light to make things out: shape them individually and as an entirety, into a whole that adds up, is as good as might be, kept from larger harm, grouped in those days James lectures us about, phenomena of climate and gumption to resolve as much as possible. I entrust to the relative cool of night. John Kinsella John Kinsella’s most recent poetry books include the verse novel Cellnight (Transit Lounge, 2023), The Argonautica Inlandica (Vagabond, 2023), and the three volumes of his collected poems: The Ascension of Sheep (UWAP, 2022), Harsh Hakea (UWAP, 2023) and Spirals (UWAP, 2024). A recent critical book is Legibility: An Antifascist Poetics (Palgrave, 2022). His new book of poetry is Ghost of Myself (UQP, 2025). More by John Kinsella › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 8 May 202611 May 2026 · Nakata Brophy Prize The 2026 Nakata Brophy Prize for Young Indigenous Writers (Poetry) Editorial Team Please follow this link to enter the prize. Sponsored by Trinity College at the University of Melbourne and supporters, the Nakata Brophy Prize for Young Indigenous Writers, established in 2014 […] 6 May 20266 May 2026 · Main Posts Join the Overland Board Editorial Team Overland is looking for a Treasurer to join the board. If you care about literary culture, have governance experience and a head for finance, please consider applying. Expressions of Interest […]