Published in Overland Issue 251 Winter 2023 · Teaser the wasps, O wall-bound housemates Josie/Jocelyn Suzanne I know you can hear, I’m talking directly to the power socket, the transparent plug each copper wire visible, like a bisection of brain, pineal gland folded, a queen around a void, the nest hovering around them. I can hear you chewing through dry -wall, getting closer to the fridge, the Formica table, the post-its with bill payment info. I’m thinking the landlord is avoiding you, the life of enzyme-dissolution, octagonal perception, tunnelling, the pine dark of the house a mountain crushing light, as an experiment: how can this be made to pay rent? We are some -times stuck behind the back-door mesh, antennae without outlet, suddenly subject between wood cliff-face and the expanse (we can’t manicure the lilies, the landlord doesn’t answer emails and I’m spheksophobic, life-long) of garden beyond. Land- lords have the privilege of delegation, of knowing their audience, between — as we are — a door of their thumb, their razor forefinger … a housemate clutching the Mortein limp like Excalibur, a Camlann of orchestral buzzing for one — or both — of us. You will chew through the wall to heaven, or I will be other than I am, becoming wasp in my endless flight. Bipedal, possibly, still, with six clawed arms, human-sized head, with mandibles, clear compacted eyes. Vestigial wings. Legs splitting like roots. What landlord—or 80s style scream queen — dare face us? Josie/Jocelyn Suzanne Josie/Jocelyn Suzanne is a freelance editor/writer/programmer. Their work has appeared in Cordite, Southerly and Rabbit Journal among others. They were shortlisted for the 2022 Val Vallis award, and were the recipient of the 2021 Harri Jones memorial prize, as well as being one of the 2021 Next Chapter fellowship recipients. They are a genderqueer trans femme and live on unceded Wurundjeri land in Naarm. More by Josie/Jocelyn Suzanne › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays