Published in Overland Issue 250 Autumn 2023 · Poetry tinnitus as hushing haibun Lesh Karan she existed in masks: lorikeets loudest in the mornings, leaves deliberating on a breezy day, blinds fluttering against the sill, the hum of conversation on the footpath by her window, Fleetwood Mac, her fingers on the keyboard (tippity-tap), her anxious dog’s paws pattering on the floorboards, her husband’s snoring at 3am, the off-and-on whir of the coffee machine, cafes cackling like campfire, firetruck sirens every 43-degree day. maybe silence doesn’t exist she thinks. maybe silence is just a quietening, until feigned decibels reign: radio crackle between channels, a cicada stuck in cochlea’s dusk. her castle in the cortex: an orchestra ringing Bach. no, a conductor signalling silence. * she existed in masks: lorikeets loudest in the mornings, leaves deliberating on a breezy day, blinds fluttering against the sill, the hum of conversation on the footpath by her window, Fleetwood Mac, her fingers on the keyboard (tippity-tap), her anxious dog’s paws pattering on the floorboards, her husband’s snoring at 3am, the off-and-on whir of the coffee machine, cafes cackling like campfire, firetruck sirens every 43-degree day. maybe silence doesn’t exist she thinks. maybe silence is just a quietening, until feigned decibels reign: radio crackle between channels, a cicada stuck in cochlea’s dusk. her castle in the cortex: a daily orchestra ringing Bach. no, a conductor signalling silence. * in the hum of her keyboard sirens every day she crack s the signal Lesh Karan लेश करण / Lesh Karan is a Naarm/Melbourne-based poet and essayist. Recent publications include in Admissions (a Red Room Poetry anthology), Best of Australian Poems 2022, Cordite, Island, Mascara and Rabbit. She was shortlisted for the 2022 Judith Wright Poetry Prize, and is currently completing a Master of Creative Writing, Publishing and Editing. More by Lesh Karan › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays First published in Overland Issue 228 8 September 202312 September 2023 · Poetry Poetry | Games Heather Taylor-Johnson Days pinch and lately I’ve noticed every time I look in the mirror I’m squinting—maybe it’s a grimace. Without trying I’ve mastered the façade of a Besser block threatened by a mallet, by which I mean maybe the world won’t kill me but it’ll definitely hurt and I’ve got to be ready. First published in Overland Issue 228 31 August 20236 September 2023 · Poetry Verbing the apocalypse: Alison Croggon’s Rilke Josie/Jocelyn Suzanne ‘This again?’ and ‘why now? Why not years ago?’ are the two questions raised in each new translation of a non-English piece of Western Canon. There’s an understanding—of course a poetic cycle like the Duino Elegies is incomplete in English, there are endless new readings—and a simultaneous sense of wounded pride/suspicion: what was missing the last time around? What were you concealing from me? What are you concealing now?