Published in Overland Issue 241 Summer 2020 · Uncategorized Great dividing range William Fox I would like to try to find it again, this time without laminated map, without compass worn like a whistle. I hated school camp up to when group 3 snowballed off a ridge track into an accidental valley: grotto-secret, enclosed but vast, like the concept art for a Gaia spaceship, a bucolic colony inside a toilet roll. This was ours. There was even a hut. The sun seemed only to eye over the lip, casting everything – muscular backpacks, unbelievable teenage hair, a monstrous dynamic between the weakest kid and everyone – into the light of bed before school: a rich paleness, stretched over privacy, (what you possessed, and what possessed you) for much longer than time thought possible. The country kid dropped twine in a rivulet, never caught a thing; didn’t care. The bully read the hut guestbook but never thought to scrawl all over it; had an odd respect for what’s inaccessible. The nicest boy started to gather the bits and pieces he needed to prep for tea. He did so smilingly, as you learn the nicest people tend to do. I watched lost snow clumps survive on blowy braziers of grass. I dreaded a full night in redback bunks. An arcing breeze knew I wanted mum. Our valley was not there to judge. Read the rest of Overland 241 If you enjoyed this piece, buy the issue Or subscribe and receive four brilliant issues for a year William Fox William Fox is a poet from Naarm / Melbourne. His work has appeared previously in Overland, as well as in places like Meanjin, Island, Cordite and the Best Australian Poems series of books. His debut collection, Apollo Bay, was released by Rabbit in 2023. More by William Fox › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 1 6 November 2026 · Friday Fiction Headland Harry Goddard He must have still been sore. I could tell from the winces he made as he scooted down the trail. Some unspoken agreement of not hitting other people’s children — and the circumstances of me not being that type of kid — spared me from the same punishment. I was taken to my parents who agreed I would have to work off the damages, and I must have mowed the lawn once, or cleaned the family car. 4 November 2026 · Film MIFF, Minotaur and the politics of maternal reception Alicia Byrnes Maternal labour is, in the terms I’ve set out here, not labour at all. Noisy, unfocused, mobile, perhaps even sleepy — it is an affront to arthouse film viewing and therefore unserious.