Published in Overland Issue 240 Spring 2020 · Uncategorized (next to nothing) Pam Brown the money printers showed up hadn’t seen anyone for months maybe everyone was broke by now couldn’t know what kind of system is this our desires battered by empty shelves these are the people who used to laugh at Moscow GUM — Interpassive & flattened by repetition a languid scroll elides donate now to help beirut — maybe now you can begin to care — minimalism hides so much weirdness if you want to get away with it the interstices the nearest thing to nothing — what to produce from a language always insinuating rationality? (not a snicker nor a smile) — spitting chips into what for what? wait a minute what about faking a collective two faced & turning on a debit card Read the rest of Overland 240 If you enjoyed this piece, buy the issue Or subscribe and receive four brilliant issues for a year Pam Brown Pam Brown has published many chapbooks, pamphlets and full collections of poetry, most recently Stasis Shuffle (Hunter Publishers, 2021). She lives in a south Sydney suburb on reclaimed swampland on Gadigal Country. More by Pam Brown › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 1 6 November 2026 · Friday Fiction Headland Harry Goddard He must have still been sore. I could tell from the winces he made as he scooted down the trail. Some unspoken agreement of not hitting other people’s children — and the circumstances of me not being that type of kid — spared me from the same punishment. I was taken to my parents who agreed I would have to work off the damages, and I must have mowed the lawn once, or cleaned the family car. 4 November 2026 · Film MIFF, Minotaur and the politics of maternal reception Alicia Byrnes Maternal labour is, in the terms I’ve set out here, not labour at all. Noisy, unfocused, mobile, perhaps even sleepy — it is an affront to arthouse film viewing and therefore unserious.
