Published in Overland Issue 236 Spring 2019 · Uncategorized Curtal Sonnet Stuart Barnes ENTRIP does not contain any safe benefits. It is not approved for use in hives of aggro child -ren. Yellow tongue, nose-bruising, swelling of the eyes are highly likely; the usual seizures, fevers, fits. A tall glass of Parkinson’s, a psychiatrist’s overactive mouth are mild -er. Forget blue, yellow, brown—one size fits all. Feeling violent, heartless? Grip pharmacists’ hallucinations, swallow doctors’ chests. Wild ’s the divided dose times three. How else can we characterise unhealing. EN(JOY THIS )TRIP, EN(JOY THIS )TRIP (& it is a trip) —reflux the highs. note: ‘Curtal Sonnet’ remixes some of the text from ENTRIP’s CMI & samples S’Express’ ‘Theme from S’Express’ Read the rest of Overland 236 If you liked this poem, buy the issue Or subscribe and receive four brilliant issues for a year Stuart Barnes Stuart Barnes is the author of Glasshouses (UQP 2016), which won the Thomas Shapcott Poetry Prize, was commended for the Anne Elder Award and shortlisted for the Mary Gilmore Award. Twitter/Instagram: @StuartABarnes More by Stuart Barnes › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 24 April 2024 · History Anzac Day and the half-remembered history of the Anzacs in Palestine Bill Abrahams and Lucy Honan Schools are deliberate targets for government-funded mystification about Australia’s role in wars. Such instances of official remembrance crowd out the realities of war, and the consequences of Australia’s role in imperialism. As teachers, we should strive to resist this, and we should introduce our students to a fuller understanding of the history of the Anzacs. 22 April 2024 · Gaming Game-death in infinite game-worlds: Darkest Dungeon 2 Josie/Jocelyn Suzanne Death is the ultimate stamp of value. It was invented to sell arcade-like 1 Up repetition to the home market. To read politics in videogames is to learn to read necropolitically, which is why gamers don’t like politics.