Published in Overland Issue 236 Spring 2019 · Uncategorized Sick day Anders Villani Somewhere between spirit and appetite, a boy untangles teabag strings, lifts floor dust with wet hands. Redbacks observe him from the cornices, and boys. He’s feverish, by himself while his mother gets groceries. Sweat pearls the salt lamp in the den. Alabaster men grapple atop the piano—white- eyed, posed and white-lipped. He knows well not to do this. Not to walk to the church op shop, root for knives whose cheap handle rivets whirl on the tang. Whose slabs peel. Not to pull from the bargain bin a bag of pressed flowers, secret petals beneath the knife handles, seal them with superglue, a found tube. Not to be wasps in the grass or minigolf holes or hoses. Not to blindfold. Not to touch, not to tell, not to read, not to let the sun shudder him, squeal him like not a boy. His cinnamon sticks, his juice bottles. His yellow assembly place. His temperature, his park, his yabby pond, his voice in drowned bark missives, his bed -eaten ankles. Read the rest of Overland 236 If you liked this poem, buy the issue Or subscribe and receive four brilliant issues for a year Anders Villani Anders Villani holds an MFA from the University of Michigan's Helen Zell Writers' Program, where he received the Delbanco Prize for poetry. His first book, Aril Wire, was released in 2018 by Five Islands Press. He lives in Melbourne. www.andersvillani.com More by Anders Villani › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 6 November 2026 · Friday Fiction Headland Harry Goddard He must have still been sore. I could tell from the winces he made as he scooted down the trail. Some unspoken agreement of not hitting other people’s children — and the circumstances of me not being that type of kid — spared me from the same punishment. I was taken to my parents who agreed I would have to work off the damages, and I must have mowed the lawn once, or cleaned the family car. 4 November 2026 · Film MIFF, Minotaur and the politics of maternal reception Alicia Byrnes Maternal labour is, in the terms I’ve set out here, not labour at all. Noisy, unfocused, mobile, perhaps even sleepy — it is an affront to arthouse film viewing and therefore unserious.