Published in Overland Issue 231 Winter 2018 · Uncategorized Storm damage Mitchell Welch the momento mori of a drowned world is untold inside out umbrellas, a plague of logo-spangled spider bones webbed with shreds of nylon gumming up a ruin-of-a-bridge’s pylon and if you thought old Moses was a miracle baby, just you wait and see— imagine the biblical intensity of a whole generation launched in eskies on the deluge of a great river of denial. anyway, there aren’t enough ex-prime ministers in the world to put on waders, balance all our baggage on their heads, and move us to higher ground— not in such ruddy conditions as these ( lol ) every fallen limb represents an incident report, an informational event that sets processes branching up towers like acute pain to the dead letter brain. the storm’s allusive rage in tatters resembles the way a modern day nightmare feels in the dark for an open hatch through which slurries of adult wisdom can be shit-shovelled back in time to re-landscape backyards of childhood dreams with scary monster memes. Image: Blue cascades / flickr Read the rest of Overland 231 If you enjoyed this poem, buy the issue Or subscribe and receive four outstanding issues for a year Mitchell Welch Mitchell Welch is a writer and communications advisor from Queensland who has worked and lived in Brisbane, Melbourne, Hobart and the Gold Coast. His first book, Vehicular Man, was shortlisted for the Judith Wright Calanthe Award, and is available from Rabbit. More by Mitchell Welch › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 17 June 2026 · The university Financial power in the public university: the case of ANU Beck Pearse The deeper problem is institutional. Universities have elaborate mechanisms for scrutinising knowledge claims circulating between staff and students. But we have remarkably weak mechanisms for scrutinising the financial assumptions through which executive power is exercised. 1 15 June 202616 June 2026 · Reviews Transubstantiations: Toby Fitch’s Or Grace Roodenrys The final trick of Or is that in the end it stages something utterly universal: the search for a momentary recognition of ourselves in language, the maybe-hopeless pursuit of those “very exceptional circumstances” in which something half-truthful might be said, the unending attempt to build something that feels real with the limited resources one has. This is a very old, a very sacred enterprise. We might call it poetry.