Published in Overland Issue 231 Winter 2018 · Uncategorized Runner-up, Nakata Brophy Prize: A dance of hands Kirli Saunders You and I were the lychees sucked from blistered shells, and navel to cheek park sleeps, the skating of fingers over cracked palms and the tempura kisses awaiting trains. We were the space held so that traumas could surface, speak and heal, and the rising of chest as spine lowered and breath slowed. You and I, were the footsteps through crowded bookshops on sacred Sundays our tales untold, we were the welding of wine to tongue in an unnamed pub. You and I were handmade cakes, window notes, pocket poems, and bodies coiled to rising sun or the calm of late night story. We were time-travellers with slow motion lips, eyes talking over ginger tea sips, and hearts euphoric on eurythmic beat skips. Read the rest of Overland 231 If you appreciate Overland’s support of new writers, buy the issue Or subscribe and receive four outstanding issues for a year Kirli Saunders Kirli Saunders is a proud Gunai woman. She is the Manager of Poetic Learning and Cultural Liaison at Red Room Poetry. Kirli founded the Poetry in First Languages project. Her first children’s picture book The Incredible Freedom Machines has been selected for Bologna Book Fair 2018. More by Kirli Saunders › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 5 June 20265 June 2026 · Friday Fiction Hobo portraits: Treadly Tim & the falling star Patrick Holland We crossed the half-buried railway line and the crazy man known as Treadly Tim turned a corner around the van park on Simeon Street and came toward us on his Malvern Star bicycle. 3 June 20263 June 2026 · Reviews The past in the object: Vanessa Berry’s Calendar Courtney Powell In her latest book, Calendar, Vanessa Berry explores the relationships that are formed between people and material culture, both fleeting and sentimental, and how they can come to represent us.