Published in Overland Issue 230 Autumn 2018 · Uncategorized Guarded by birds | Judith Wright Poetry Prize, first place Evelyn Araluen When you go as the spaces between wine&zoloft say you must at thirtyseven or some other too soon before old has a chance to grow in you before youth has time to loose you from his claws I will meet you at the edges of a body shaped like loss and trace the outline of your absence with smoke then take from the air the name of a man who smelt like river and spoke like distance Second surviving son to two generations of fathers to buried boys loved&beloved in your loudest lonely by the daughter to what I swear I heard you call deliverance too goodtoo good this eloquent offering of birdcage to gulls There are knowings I cannot tell you and things you do not know how to say between tradition and trauma there are nights when we meet voiceless in the shadow of oncewas gum the memory of leaf and branch the place where you want to die I know little of this ceremony have only collected for the coolamon carved from river red to carry water to carry child to carry smoke to carry you to those who watch and hope there will be place for you When you go I will be the one to tell the birds they will wait as I gather the eucalypt and tell me take them still living break the branch if you must Read the rest of Overland 230 If you enjoyed this poem, buy the issue Or subscribe and receive four outstanding issues for a year Evelyn Araluen Evelyn Araluen is a Goorie and Koori poet, researcher and co-editor of Overland Literary Journal. Her Stella-prize winning poetry collection DROPBEAR was published by UQP in 2021. More by Evelyn Araluen › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 6 November 2026 · Friday Fiction Headland Harry Goddard He must have still been sore. I could tell from the winces he made as he scooted down the trail. Some unspoken agreement of not hitting other people’s children — and the circumstances of me not being that type of kid — spared me from the same punishment. I was taken to my parents who agreed I would have to work off the damages, and I must have mowed the lawn once, or cleaned the family car. 4 November 2026 · Film MIFF, Minotaur and the politics of maternal reception Alicia Byrnes Maternal labour is, in the terms I’ve set out here, not labour at all. Noisy, unfocused, mobile, perhaps even sleepy — it is an affront to arthouse film viewing and therefore unserious.