Published in Overland Issue 230 Autumn 2018 · Uncategorized Liptrap Fiona Hile Sifting through shells I think of you— Green striped flange truncated at the stalk, singed partner variously allocated, the dusky hearing aid of secular distance enforced. Barrel leaf cloth fastidiously sewn emits apertures of admissions stored and later, distilled, through gestures confoundingly subtle. Is there material diffuse enough to feed your repertoire? You are everywhere. I am only in the hungry, lip catching south. The sun’s breath harvests modernist pinks and greys. You, the corn-rowed data of herringboned broth, a spiralling whirlwind of lust. Or this whale doll’s layette, bargain basement, discontinued. An unrecognisable mathematics reassembles. Volcanoes assemblaged stand still in place of you. Twenty-cents’ worth of quartz harbours discordant epiphanies of the last time we met. This froth of bleach, sea floral anti-freeze. Crumbs of floss. These are not my organs here on the beach. Not my liver beating, like a heart, beneath this rock. How your sand fly disappointment stings, punishments imperceptible and easy as poison. Still, I sit, and think, and think of you, elegantly innumerable. This cudgel of white bone, only two knuckles deep. Emptied of the pod of your embrace, lesions scorn. This face has a terminal array. That lip segues every Latin hook. If you could sing to lava these finite rocks, if night could carve fresh shapes from molten ash. If these excoriated shells could conjure your rough face to a schismed retreat, the world might forgive a jawbone knuckled to prism and reflect. Read the rest of Overland 230 If you enjoyed this piece, buy the issue Or subscribe and receive four outstanding issues for a year Fiona Hile Fiona Hile’s first collection, Novelties, was awarded the Kenneth Slessor Prize for Poetry. Her second, Subtraction, won the Helen Anne Bell Poetry Award for an unpublished manuscript. More by Fiona Hile › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 3 June 20263 June 2026 · Reviews The past in the object: Vanessa Berry’s Calendar Courtney Powell In her latest book, Calendar, Vanessa Berry explores the relationships that are formed between people and material culture, both fleeting and sentimental, and how they can come to represent us. 1 June 2026 · Culture We were all workers on GeoCities Maria Dudko GeoCities remains an important reminder that collective labour on the internet is not new — and that recognising ourselves as workers is the first step towards organising as such.