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The Journal

Issue 260 Jul/Aug 2026

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Overland’s 260th issue is our most substantial yet. At 212 pages, it contains writing from the winners and runners-up of the 2025 Judith Wright poetry and Neilma Sidney short story prizes, as well as last year’s Nakata Brophy Prize for Young Indigenous Writers.

Across eight short stories, nine poems and five essays, this issue showcases the breadth of talent across generations: Hana Pera Aoake mounts a critique of the economies of First Nations artmaking, asking who exactly benefits when Maōri artists excel within an unregulated market predicated on individualism, while John Kinsella makes an extensive case for unoriginality as both poetic method and political resistance.

Elsewhere, Tom Gurn, winner of the 2025 Neilma Sidney prize, imagines a surreal, fractured dialogue between two speakers orbiting loss and urban adaptation. Susie Anderson’s Nakata Brophy winning story follows a Blak elder navigating council rooms as she carries the stories of those who cared for her Country’s waterways.

The issue also features new poetry by Ouyang Yu, Dorothy Lune and Dave Drayton, as well as an excerpt from Surveying the Wild Abyss, a new book by Hawkesbury elder and educator Barry Corr.

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Overland literary journal > 228 Spring 2017 > Poem | Jaquim Duggan
Published in Overland Issue 228 Spring 2017 · Uncategorized

VB

Jaquim Duggan

 

victory is gold

sifted through black

victory is red

run down rivers

victory is white

singlet and thongs

victory is bitter

 

 

 

228-cover-CS6.indd

Read the rest of Overland 228

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four outstanding issues for a year

Jaquim Duggan

Jaquim Duggan is an Indigenous writer currently studying at Deakin University, working towards a career as an engaging English teacher.

More by Jaquim Duggan ›

Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places.

If you like this piece, or support Overland’s work in general, please subscribe or donate.


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He must have still been sore. I could tell from the winces he made as he scooted down the trail. Some unspoken agreement of not hitting other people’s children — and the circumstances of me not being that type of kid — spared me from the same punishment. I was taken to my parents who agreed I would have to work off the damages, and I must have mowed the lawn once, or cleaned the family car.
4 November 2026 · Film

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Maternal labour is, in the terms I’ve set out here, not labour at all. Noisy, unfocused, mobile, perhaps even sleepy — it is an affront to arthouse film viewing and therefore unserious.

Jaquim Duggan

Jaquim Duggan is an Indigenous writer currently studying at Deakin University, working towards a career as an engaging English teacher.

More by Jaquim Duggan ›

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This article was published in Overland Issue 228 Spring 2017

Browse the issue

Issue 260 Jul/Aug 2026

Buy/subscribe now Browse the issue


Overland’s 260th issue is our most substantial yet. At 212 pages, it contains writing from the winners and runners-up of the 2025 Judith Wright poetry and Neilma Sidney short story prizes, as well as last year’s Nakata Brophy Prize for Young Indigenous Writers.

Across eight short stories, nine poems and five essays, this issue showcases the breadth of talent across generations: Hana Pera Aoake mounts a critique of the economies of First Nations artmaking, asking who exactly benefits when Maōri artists excel within an unregulated market predicated on individualism, while John Kinsella makes an extensive case for unoriginality as both poetic method and political resistance.

Elsewhere, Tom Gurn, winner of the 2025 Neilma Sidney prize, imagines a surreal, fractured dialogue between two speakers orbiting loss and urban adaptation. Susie Anderson’s Nakata Brophy winning story follows a Blak elder navigating council rooms as she carries the stories of those who cared for her Country’s waterways.

The issue also features new poetry by Ouyang Yu, Dorothy Lune and Dave Drayton, as well as an excerpt from Surveying the Wild Abyss, a new book by Hawkesbury elder and educator Barry Corr.

Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places.

If you like the pieces you read — or want to support Overland’s work in general — please subscribe or donate.

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