Published in Overland Issue 228 Spring 2017 · Uncategorized Breath Allis Hamilton i m i t c t f t t i c o n y n h r o a h h o f e a l e e w u w b S c s l o l y i r i f k p i l f n d o n e b r i e n o a d u t a e e g a g c l e i r e t r e k a l r r h i z f a l i c n a i o i s s n i o a w f n r n g f m m h o w g f c e e e r h m t r a o w n m e e i h o l f e t b s n a l i z l o y i r e s e t l a i t s n t h i l i s t h c h e v e t a b a l m i e a s y u i i r i i s s d r b s s o m s t n t b u a t a t i y l m h n t r h t n o e i e d e o s e h k u n a n r e l r o u r b e i f s d r g s n e l o g n m f a a u a i o t s n o m s r h s d n e t t y y c i o g c f n r e o d o r e u n n w s d e e e s k s Read the rest of Overland 228 If you enjoyed this poem, buy the issue Or subscribe and receive four outstanding issues for a year Allis Hamilton Allis Hamilton is an artist, musician, and teller of folk tales. She collects memories and discarded nests. She is a joint convener of ‘PoetiCas’, Castlemaine’s Poetry Readings. Her poems are published in Australia, England and Ireland. More by Allis Hamilton › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 1 6 November 2026 · Friday Fiction Headland Harry Goddard He must have still been sore. I could tell from the winces he made as he scooted down the trail. Some unspoken agreement of not hitting other people’s children — and the circumstances of me not being that type of kid — spared me from the same punishment. I was taken to my parents who agreed I would have to work off the damages, and I must have mowed the lawn once, or cleaned the family car. 4 November 2026 · Film MIFF, Minotaur and the politics of maternal reception Alicia Byrnes Maternal labour is, in the terms I’ve set out here, not labour at all. Noisy, unfocused, mobile, perhaps even sleepy — it is an affront to arthouse film viewing and therefore unserious.