Published in Overland Issue 227 Winter 2017 · Uncategorized River of crumbs Sumudu Samarawickrama They are eating the photographs Because there is no bread The photographs proliferate Your excavated back looks suspended we are looking down on you And you are caught on the crumbs of buildings we are standing on that which stood on you The space between the crumbled parts of which you are a part exists For your ashen powdered self is Dimensional and recognisable I lifted a city off your face My little ash-boy My little dust-puppet Of concrete grey and dusted edifices Your black eyes are curious Your toes are lifelike Your black eyes are liquid Your cheeks curve like apples Your black eyes are alive As we try not to see Image: Damascus / Игорь М Read the rest of Overland 227 If you enjoyed this poem, buy the issue Or subscribe and receive four outstanding issues for a year Sumudu Samarawickrama Sumudu Samarawickrama was born in Sri Lanka though she’s never lived there. She is an emerging writer currently part of Footscray Community Arts Centre’s West Writer’s Group. More by Sumudu Samarawickrama › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 24 April 2024 · History Anzac Day and the half-remembered history of the Anzacs in Palestine Bill Abrahams and Lucy Honan Schools are deliberate targets for government-funded mystification about Australia’s role in wars. Such instances of official remembrance crowd out the realities of war, and the consequences of Australia’s role in imperialism. As teachers, we should strive to resist this, and we should introduce our students to a fuller understanding of the history of the Anzacs. 22 April 2024 · Gaming Game-death in infinite game-worlds: Darkest Dungeon 2 Josie/Jocelyn Suzanne Death is the ultimate stamp of value. It was invented to sell arcade-like 1 Up repetition to the home market. To read politics in videogames is to learn to read necropolitically, which is why gamers don’t like politics.