Published in Overland Issue 227 Winter 2017 · Uncategorized On his portrayal of Coach Boone in Remember the Titans Saaro Umar After Hanif Abdurraqib ‘… memories don’t work the way we want them to. when i’m lifting my daughter to the clouds, facing the football coiling towards my nose, catching my reflection in a pane of glass – greeting all twelve of my bodies – i’m in several places at once. when they ask us to leave it all in the past i imagine empty cartons with tallied grievances hanging off our backs. grief swims in circles, catching in any bit of body that bares flesh. in every moment we live the afterlife, in every moment we die, smiling. you seeing me as your father is a lie, but i understand it. chewing his gum in a way that offends, reciting I Have a Dream over eggs – eyes fixed to a point made up in his head – his self talk is not mine. but once, it narrated my nightmares in which men just like me prostrated before God and died anyways.’ Read the rest of Overland 227 If you enjoyed this poem, buy the issue Or subscribe and receive four outstanding issues for a year Saaro Umar Saaro Umar is an Oromo poet. Her work has appeared in Australian Poetry Journal, Cordite, Expound and Scum Mag, among others. More by Saaro Umar › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.