Published in Overland Issue 226 Autumn 2017 · Uncategorized Switch Omar Sakr my heart is a nude bulb. Or is it my cock? Both muscles are small & hard. Blink often, or at least wear protection, I repeated but you refused. Said light made all days a Pollock painting, spotted colours running each other over. You cupped the fluttering red of it made shadowed animals dance along my ribcage with your hands. I was dizzy beneath the beasts you made of me. Sometimes I let loose language that shot across our skins, erecting our hairs. Other times silence arrived in the mail, it popped out of phones, leaked from fanged sockets. I dribbled it in my sleep. I tried turning everything off, tried to find you in the dark & in the hush see your small muscles burst electric. Image: ‘City ribcage’ / Cydarianna Read the rest of Overland 226 If you enjoyed this poem, buy the issue Or subscribe and receive four outstanding issues for a year Omar Sakr Omar Sakr is the author of two acclaimed poetry collections, These Wild Houses (Cordite, 2017) and The Lost Arabs (UQP, 2019) which won the 2020 Prime Minister’s Literary Award for Poetry. His debut novel, Son of Sin (2022) is out now. More by Omar Sakr › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays First published in Overland Issue 228 4 December 20234 December 2023 · Climate politics Where is the Australian climate movement’s solidarity with Palestine? Alex Kelly Let this be a line in the sand. Let us learn our history. Let us listen to liberation movements around the world. Conflicts for land and water will shape the decades to come. Showing up for each other and building power to demand justice is our only hope for a humane future. First published in Overland Issue 228 1 December 20231 December 2023 · History ‘We’re doing everything but treaty’: Law reform and sovereign refusal in the colonial debtscape Maria Giannacopoulos I coined the concept of the colonial debtscape while working to understand the relation between debt and sovereignty in the wake of the 2007 Global Financial crisis. Despite the referendum held in Greece in 2015 where the people voted against austerity, austerity as punishment, was imposed anyway. As this was a colonising move, that is, the imposition of an external and foreign law on local populations against their will, it was to Aboriginal scholars here that I turned to begin to put the pieces together.
