Published in Overland Issue 224 Spring 2016 · Uncategorized Impulse Zoe Barnard I wanted to know, in a pause between sentences, whether the fine, transparent step between nail and skin was designed to be removed. Smoothly, the cuticle tears away, like a loose thread and blood wells after a moment, flesh overcoming the shock of being asked to undress. I wanted to know, walking home from the station, if the joints would so easily bruise and swell when my knuckles pressed against another’s body. If muscle and bone resemble walls and fences, then the pain flares and yellow meets purple in an expanding: yes. I wanted to know, when I could first drive on my own, how it would feel to journey into a power pole or through the railing along the coast. At the empty intersection, in the middle of summer, when the road is melting and sea salt cracks in the air I tell that voice, not yet. Zoe Barnard Zoë Barnard is a freelance editor and writer, who lives and works in Perth. More by Zoe Barnard › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 24 April 202624 April 2026 · Friday Poetry A slam dunk publication Michael Farrell Australians said, landed among manatees, did useful, / neatnesses, knitted, pleasingly. Spared liaisons, amassed, / mortal dangers, unforeseen, nor kids, prayed aloud. 1 23 April 202623 April 2026 · The media The importance of democratic frequencies: on the threatened closure of 2SER Daz Chandler 2SER operates not just as a broadcaster, but as an incubator of democratic culture, its alumni carrying forward practices shaped by collaboration, dissent and accountability to community.