Published in Overland Issue 224 Spring 2016 · Uncategorized Impulse Zoe Barnard I wanted to know, in a pause between sentences, whether the fine, transparent step between nail and skin was designed to be removed. Smoothly, the cuticle tears away, like a loose thread and blood wells after a moment, flesh overcoming the shock of being asked to undress. I wanted to know, walking home from the station, if the joints would so easily bruise and swell when my knuckles pressed against another’s body. If muscle and bone resemble walls and fences, then the pain flares and yellow meets purple in an expanding: yes. I wanted to know, when I could first drive on my own, how it would feel to journey into a power pole or through the railing along the coast. At the empty intersection, in the middle of summer, when the road is melting and sea salt cracks in the air I tell that voice, not yet. Zoe Barnard Zoë Barnard is a freelance editor and writer, who lives and works in Perth. More by Zoe Barnard › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 1 6 November 2026 · Friday Fiction Headland Harry Goddard He must have still been sore. I could tell from the winces he made as he scooted down the trail. Some unspoken agreement of not hitting other people’s children — and the circumstances of me not being that type of kid — spared me from the same punishment. I was taken to my parents who agreed I would have to work off the damages, and I must have mowed the lawn once, or cleaned the family car. 4 November 2026 · Film MIFF, Minotaur and the politics of maternal reception Alicia Byrnes Maternal labour is, in the terms I’ve set out here, not labour at all. Noisy, unfocused, mobile, perhaps even sleepy — it is an affront to arthouse film viewing and therefore unserious.