Published in Overland Issue 222 Autumn 2016 · Uncategorized Issue 222 admin REGULARS Editorial – Jacinda Woodhead Vane Lindesay On John McLaren Mel Campbell Natalie Harkin Giovanni Tiso Alison Croggon FEATURES Ben Brooker Production lines of flesh and bone Meat-eating and the left Stephanie Convery Get your hands off my sister Rape and feminist justice Antony Loewenstein After independence South Sudan five years on Maxine Beneba Clarke The current inhabitants of the island A memoir AJ CarrutHErs, lia inCoGnita, saMuEl waGan watson, ElEna GoMEz Four perspectives on race and racism in Australian poetry A discussion Dean Brandum and Andrew Nette Police fictions On the history of crime television FICTION aliCE punG, EllEn van nEErvEn, stEpHaniE ConvEry Neilma Sidney Short Story Prize report laurEn FolEy First place: K-k-k ElizabEtH tan Coca-Cola birds sing sweetest in the morning As In the end, in the head Jo lanGdon What do you tell JaCk latiMorE Where waters meet POETRY Peter MintEr and toby FitCH 2015 Judith Wright Poetry Prize report Ella o’kEEFE First place: alkaway Omar Sakr Second place: Not so wild Jakob ziGuras Third place: Jet lag song nets ART wORk MiCHEllE Farran Brent stEGEMan admin More by admin › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 18 April 202418 April 2024 · Education A Jellyfish government in NSW: public education’s privatisation-by-neglect Dan Hogan A private school that receives public money is not a private school: it is a fee-paying public school. The overfunding of private schools using public money is a symptom of a public service that has been rotted for a quarter of century by a political class with no vision beyond producing dubious, misleading statistics to deploy at the next election. 17 April 202417 April 2024 · Culture From the edge of the circle pit: growing up punk and girl in Indonesia Dina Indrasafitri Circa 1999, I sat on the floor in a poorly lit house on the outskirts of Jakarta, still in my grey-and-white high-school uniform. The members of the protest punk band Anti-Military were plotting their first album recording in the next room. Scattered around me were political pamphlets, zines and books touching on the subjects of anarchism, anti-work and anti-racism.