Published in Overland Issue 220 Spring 2015 · Uncategorized The linden tree John Tranter I gobbled a round of caerphilly, then Theophily called to me, under the linden tree. Conservatism? Let me count the ways: Morning suits, grey ties, greys in every accoutrement, grey imagery shoaling and fluttering down on me lost in the grey-green park, under a tree perhaps, taking the cool morning air as I lie naked on the grass, bum bare to the gaze of the policeman, a rare infinity of arguments circulating deep within me as the dictates of Theosophy suddenly seem unfair – am I changing my stance, under the linden tree? The work is easy, though the days are tough. Pray awhile, then that’s enough. Sit with me under the forgiving linden tree and just be. ‘The linden tree’ began as a draft using the end-words of ‘Anti-Romantic’ by Marie Ponsot John Tranter John Tranter is an Australian poet, publisher and editor. More by John Tranter › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.