Published in Overland Issue 220 Spring 2015 · Uncategorized Autumn poem Fiona Wright I am ankle-deep in leaves and though the days burn bright the fast-falling evening has a bite now: I watch a small child pointing with blunt fingers (yours are moon-like, soft, nails longer and lovelier than mine) at the desiccating leaves along the footpath, more rubbish! she cries, more rubbish! more rubbish! and I walk home past three damp-cornered houses in which I used to live: autumn is soft and slow and spacious. I think of how I curled away from my cold feet hooked behind your knees, each finger in between yours. I still fear that there’s a hollowness within me. For a moment on the freeway the next morning, a huge crow hovers in the middle of my windscreen. They too are smarter then they need to be, and I wonder if they feel it like I feel it, wing-dark and sinking. There’s a crack in the skin of things, the dry air. Fiona Wright Fiona Wright’s new essay collection is The World Was Whole (Giramondo, 2018). Her first book of essays Small Acts of Disappearance won the 2016 Kibble Award and the Queensland Literary Award for nonfiction, and her poetry collections are Knuckled and Domestic Interior. More by Fiona Wright › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 2 29 May 202629 May 2026 · Politics Zionism in real-time: insights from the Royal Commission on Antisemitism and Social Cohesion Nick Riemer While the Royal Commission sits, Israel continues to murder and starve Gazans as they try somehow to survive. Since the genocide is, indisputably, the necessary overarching context for a discussion of antisemitism in Australia at the present moment, it is perverse that the Commission has refused to hear from the Palestine solidarity movement. 27 May 2026 · Reviews Losing our sense of struggle: Fiona Wright’s Kill Your Boomers May Ngo The precarity described in Kill Your Boomers feels mitigated — more existential than material. It’s the precarity of being lost in your life, rather than the threat of having to sleep out on the streets.