Published in Overland Issue 217 Summer 2014 Uncategorized Xanadu Nathan Curnow after the film directed by Robert Greenwald, 1980 for the attractive people there is a wall to skate through it was a joke until somebody told it most of the town murals are dripping red – there is no talking sense to the ugly some try the Biblical Diet to get into shape or wear the breastplate of Saint Patrick some couples get married before they roll it is probably best if you are intoxicated makes no difference if you like the movie there are new spurts of red every day you won’t get through if you wear a helmet it is a watermelon explosion if you fail a place where so many of us dare to go might be the mural on the toilet block the love and the love and the echoes of where neon tubes blink ultra violet egged on by a fever that can’t be denied it is too late to unlock the secrets of fat the runway is lit and the bystanders waiting what commentators say about your face Nathan Curnow Nathan Curnow lives in Ballarat and is a past editor of Going Down Swinging. His latest poetry collection is RADAR. More by Nathan Curnow Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays First published in Overland Issue 228 30 March 2023 Culture RollerCoaster Tycoon and the art of niche hobbies Zac Picker As a writer, I spend too much time awake at night worrying about building an audience for my work. And yet, I spend even more time awake at night, planning my next RollerCoaster Tycoon park in my head, for an audience of the hundred-or-so RCT parkmakers I care about the most. First published in Overland Issue 228 29 March 2023 Aboriginal Australia Standing in the dawn’s new light: truth-telling for settlers Anthony Kelly There’s a paradox about being a settler in a stolen country. No matter when we arrived, we inherited the bounty of genocidal violence. Many of us are the beneficiaries of the intergenerational wealth-building that saw English, Irish and Scottish settler families grow rich on the sheep, timber, wheat and resources provided by stolen land. We have a profound responsibility to dismantle the ‘lie-telling’ because it shores up this legacy and the systems of colonial violence that continue in our lifetimes.
