Published in Overland Issue 217 Summer 2014 · Uncategorized Foxes strung up on fence on Toodyay-Bindi Bindi Road: in the accusative John Kinsella On land cleared to a few trees you say you’re protecting native wildlife (but not kangaroos, because ‘they’re feral by any other definition’); you tell us that you’re a safe user of firearms, protecting lambs you’ll send to slaughter; you string foxes up on fences so the public can know what it’s like to fight for a cause, corpses of enemies piled high for the townsfolk to file past and know the cost of battle. The cost of the kill, pride in marksmanship, celebration and mateship. Your triumphs are the triumphs of ancient Rome, of death squads anywhere anytime; such a timeless occupation. Good thing there’s no bounty on animal libbers and greenies, as you might just be tempted to break the rule of robotics not to kill humans; for the general good, the cause. Foxes strung out on a fence show us you’ll stand up and be counted, O mighty warriors of the farmlands. We’ve known your spotlights probe into our houses at night. We live with that. We catch our breath and watch our words. The dead fox. The dead cat. The dead roo. The dead the dead the dead. John Kinsella John Kinsella’s most recent poetry books include the verse novel Cellnight (Transit Lounge, 2023), The Argonautica Inlandica (Vagabond, 2023), and the three volumes of his collected poems: The Ascension of Sheep (UWAP, 2022), Harsh Hakea (UWAP, 2023) and Spirals (UWAP, 2024). A recent critical book is Legibility: An Antifascist Poetics (Palgrave, 2022). His new book of poetry is Ghost of Myself (UQP, 2025). More by John Kinsella › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 23 April 202623 April 2026 · The media The importance of democratic frequencies: on the threatened closure of 2SER Daz Chandler 2SER operates not just as a broadcaster, but as an incubator of democratic culture, its alumni carrying forward practices shaped by collaboration, dissent and accountability to community. 21 April 202621 April 2026 · Reviews Pilled to the gills: Ariel Bogle and Cam Wilson’s Conspiracy Nation Cher Tan The question that Conspiracy Nation implicitly raises isn’t why people believe in conspiracy theories but rather why people have stopped trusting official narratives. But what do we do with this knowledge? When we call something a conspiracy theory, what work are we doing? Who benefits from that designation?