Published in Overland Issue 217 Summer 2014 · Uncategorized Fancy cuts: introduction Jennifer Mills There has, in recent years, been a push to rescue various ‘lost’ writers from obscurity. And yet the short story is a literary form deeply embedded in its time. Much of the energy that has sustained Overland throughout the years derives from its contemporaneity – its commitment to the urgent, emerging or marginalised voices of its day. For Overland’s diamond jubilee, I wanted to acknowledge the incredible legacy of writing that sixty years of short stories represents but also continue a tradition of keeping our eyes on the present day, and facing the future – a future which demands fresh imaginative reach. A ‘fancy cut’ is a non-traditional way of shaping a diamond, allowing the cutter to follow the outline the rough stone suggests, or to carve a pattern of their own liking. In 2014, Overland has commissioned four contemporary writers to contribute a short story that responds in some way to a piece of fiction from our sixty years of archives. In shaping their responses, we have asked these writers to take any facet they wish – voice, character, setting, a moment in time – and make it their own. The last of these Fancy Cuts is from Ali Alizadeh, award-winning poet, short story writer, critic and novelist. Alizadeh’s typically unflinching story ‘Samira was a terrorist’ began with James Aldridge’s story ‘Taffy was a pacifist’, first published in Overland 21, August 1961. Aldridge’s story is republished at overland.org.au. Jennifer Mills Jennifer Mills was Overland fiction editor between 2012 and 2018. Her latest novel, The Airways, is out through Picador. More by Jennifer Mills › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 12 September 2024 · Reviews The jock and the farmboy, but not the sissy: sexual archetypes in Holden Sheppard’s Invisible Boys Liam Blackford Masculinity is an important and controversial topic in gay discourse, and Invisible Boys should be celebrated as an excellent document of the phenomenon as lived in regional Australia. Yet I lamented the absence of an effeminate gay character in Sheppard’s macho universe. A character for whom painted nails might not have just been “a punk thing. 9 September 20249 September 2024 · Cartoons Ten things workers need to know about the CFMEU Sam Wallman and Sarah Missen “Defend the unions, defend the CFMEU. Demand your union stand in solidarity with the CFMEU. Join the workers’ campaign to defend their union.” Ten things workers need to know about the CFMEU — with words by Sarah Missen and illustrations by Sam Wallman.