fancy-cuts
Type
Fiction
Category
Reading
Writing

Fancy cuts: an introduction

There has, in recent years, been a push to rescue various ‘lost’ writers from obscurity. And yet the short story is a literary form deeply embedded in its time. Much of the energy that has sustained Overland throughout the years derives from its contemporaneity – its commitment to the urgent, emerging or marginalised voices of its day.

For Overland’s diamond jubilee, I wanted to acknowledge the incredible legacy of writing that sixty years of short stories represents but also continue a tradition of keeping our eyes on the present day, and facing the future – a future which demands fresh imaginative reach.

A ‘fancy cut’ is a non-traditional way of shaping a diamond, allowing the cutter to follow the outline the rough stone suggests, or to carve a pattern of their own liking.

In 2014, Overland has commissioned four contemporary writers to contribute a short story that responds in some way to a piece of fiction from our sixty years of archives. In shaping their responses, we have asked these writers to take any facet they wish – voice, character, setting, a moment in time – and make it their own.

The second of these Fancy Cuts is from Tara Cartland, who won the inaugural Overland Victoria University Short Story Prize in 2012. Cartland’s story ‘Nativity’ began with Katharine Susannah Prichard’s story ‘Josephina Anna Maria’, first published in Overland in June 1958. Prichard’s story is republished at overland.org.au.

 

Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places.

If you like this piece, or support Overland’s work in general, please subscribe or donate.

Jennifer Mills has been the fiction editor at Overland since 2012. Her latest novel, Dyschronia, is out through Picador.

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