Published in Overland Issue 214 Autumn 2014 · Writing Stanwell Tops Mitchell Welch We shake off the engine echo, dopplering Over cliffs and shoals of glossy cloud Where fly-suited radicals uplift From wild Kombis to the hydrosphere Slung in air as thick as Liquid Nails Leaching out of seams of distant ice The yellow light a horizontal knife Blunted on an algal bloom, the reef weed Rolled up like a finger of tobacco In a backed-up gutter, we stop to watch Mazarine blues wash the windscreen Down in rimy penstrokes, hieroglyphic Screams or dreamy helices – The end Is near, the end! – descend the mauve Ecliptic. One comes thru the skylight Of our noncanopic wagon, a blanketfall He says to drive, Crocs up on the dash The whole panoptic world gone black A groaning fissure widens in the cityself Open road and gutterfingers on the wheel He whispers: All of us are seachangers But some of us are serious. Mitchell Welch Mitchell Welch is a writer and communications advisor from Queensland who has worked and lived in Brisbane, Melbourne, Hobart and the Gold Coast. His first book, Vehicular Man, was shortlisted for the Judith Wright Calanthe Award, and is available from Rabbit. More by Mitchell Welch › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 10 March 202610 March 2026 · Writing The role of the committed writer in an unfree world André Dao No, the committed writer is a movement writer. I mean that the committed writer knows that they know very little, and that the way to remedy that ignorance is through solidarity with people in struggle. 1 1 December 20251 December 2025 · Writing With respect to the poor essay Jonno Revanche Style is now a feature that we surrender to a digital pattern recognition machine, which attempts to replicate our own but often falls short, feeling convincing enough but too superficial in its noticing to get to the heart of human concerns.