Published in Overland Issue 213 Summer 2013 Uncategorized Marrickville Fiona Wright Later that night, I cut the plastic boning from the bodice of my dress: no need for structure, over summer. There were bruises on my knees I didn’t recognise. I saw us all that day, all day projected on a big screen: the bathtub underneath the orange tree, crushed grass imprinted on my shins, your cat-like eyeliner, the warm sangria out of mugs. My feet grew numb beneath my hips. Saturation. I still felt overseen when I walked home, alone and shouldered. A black light flicked behind a balcony, a woman, neon-lit, crushed out a cigarette and turned to kiss, to give a kiss. This wasn’t meant to sound like romance. But it’s not ironic, either. Fiona Wright Fiona Wright’s new essay collection is The World Was Whole (Giramondo, 2018). Her first book of essays Small Acts of Disappearance won the 2016 Kibble Award and the Queensland Literary Award for nonfiction, and her poetry collections are Knuckled and Domestic Interior. More by Fiona Wright Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays First published in Overland Issue 228 30 January 202331 January 2023 History On class as a product of struggle Jared Davidson An understanding of class as a relationship and a process, and the expanded terrain of class struggle that comes with it, has the potential to unearth or reappraise key events and narratives in our colonial pasts. First published in Overland Issue 228 27 January 202331 January 2023 Cartoons In attacking us, they bring us together Sam Wallman 'What these bosses don't understand is that in attacking us, they bring us together.' (Paddy Crumlin, Maritime Union of Australia, Svitzer Rally November 2022)