Published in Overland Issue 211 Winter 2013 · Uncategorized The swallows in Saint Peter’s Square Luke Whitington The swallows refuse to assist My eye’s dismissal, tip toeing in the air Like the minnows, suspended in the stream Of the moment, they hover then let go And descend to slowly rise again, no flying monk Could pull and allow his bells to topple Roll over so eloquently as these unconscious ballerinas of the air. The priests that flow in pairs from St Peters sway out across the square And hardly lift their heads toward these tiny pendulums of flight They grip their rosaries against the risk of an uncertain sky And turn down the avenue in files; fluttering rags of darkness toward approaching night. And as always I remain in this apricot-smudged square of Rome And love to watch this autumnal show, the departure of the swallows Signalled by their silent play, my eyes a little saddened Want their farewell to be over quickly, my mind tucking away their salutations But my heart tugs against this dismissal, hypnotised By this continual swinging rhythm, a serenade to autumn A flock of birds’ last ballet in the changing rusts of light Through a crowded gateway, time threaded for the traveller’s eyes. Luke Whitington Luke Whitington lives in Sydney and Canberra. He has been published in journals and newspapers in Ireland and Australia. More by Luke Whitington › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 5 June 20265 June 2026 · Friday Fiction Hobo portraits: Treadly Tim & the falling star Patrick Holland We crossed the half-buried railway line and the crazy man known as Treadly Tim turned a corner around the van park on Simeon Street and came toward us on his Malvern Star bicycle. 3 June 20263 June 2026 · Reviews The past in the object: Vanessa Berry’s Calendar Courtney Powell In her latest book, Calendar, Vanessa Berry explores the relationships that are formed between people and material culture, both fleeting and sentimental, and how they can come to represent us.