Published in Overland Issue 211 Winter 2013 · Uncategorized The swallows in Saint Peter’s Square Luke Whitington The swallows refuse to assist My eye’s dismissal, tip toeing in the air Like the minnows, suspended in the stream Of the moment, they hover then let go And descend to slowly rise again, no flying monk Could pull and allow his bells to topple Roll over so eloquently as these unconscious ballerinas of the air. The priests that flow in pairs from St Peters sway out across the square And hardly lift their heads toward these tiny pendulums of flight They grip their rosaries against the risk of an uncertain sky And turn down the avenue in files; fluttering rags of darkness toward approaching night. And as always I remain in this apricot-smudged square of Rome And love to watch this autumnal show, the departure of the swallows Signalled by their silent play, my eyes a little saddened Want their farewell to be over quickly, my mind tucking away their salutations But my heart tugs against this dismissal, hypnotised By this continual swinging rhythm, a serenade to autumn A flock of birds’ last ballet in the changing rusts of light Through a crowded gateway, time threaded for the traveller’s eyes. Luke Whitington Luke Whitington lives in Sydney and Canberra. He has been published in journals and newspapers in Ireland and Australia. More by Luke Whitington › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 8 May 202611 May 2026 · Nakata Brophy Prize The 2026 Nakata Brophy Prize for Young Indigenous Writers (Poetry) Editorial Team Please follow this link to enter the prize. Sponsored by Trinity College at the University of Melbourne and supporters, the Nakata Brophy Prize for Young Indigenous Writers, established in 2014 […] 7 May 20267 May 2026 · Gaming Weaponised play: are loot boxes pokies for kids? Tom Gurn In the last decade, chance mechanics have been increasingly exploited by the video game industry to attract players, including very young ones. And while the federal government is clearly aware of the risks, it really isn’t clear what the right step forward is.