Published in Overland Issue 211 Winter 2013 · Uncategorized Vietnam ritual Barry ODonohue Sitting in the primordial light of jungle each day I placed a finger on my forehead, then on my chest where the bullet would strike. Then I would rest the palm of each hand on my knees, soon to be blown away by a Russian mine, and watch the smoke from my Marlborough drift into the tangled vines and rain forest trees as if the world were on fire and the world was a small place. We’d get up then, in single file, me breaking through the wall being the first, being the scout. At night starts struggled through the high canopy pin points against the dark and I would curse the nature of my flesh for it was intact, not torn apart. I slept in a scrape hole on the jungle floor, my grave, knowing that tomorrow I would perform that wretched ritual again, where the bullet would strike, or my limbs blasted against trees. Now I am young but in old flesh. I gave up smoking. What doesn’t kill you . . . The marks on my forehead and chest are stigmata, knees gone to titanium, and all the stars that were then and are now have gone in to their own war, galaxies to the north. Barry ODonohue Barry O'Donohue is a Brisbane-based poet who has been writing for 40 years. More by Barry ODonohue › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 5 June 20265 June 2026 · Friday Fiction Hobo portraits: Treadly Tim & the falling star Patrick Holland We crossed the half-buried railway line and the crazy man known as Treadly Tim turned a corner around the van park on Simeon Street and came toward us on his Malvern Star bicycle. 3 June 20263 June 2026 · Reviews The past in the object: Vanessa Berry’s Calendar Courtney Powell In her latest book, Calendar, Vanessa Berry explores the relationships that are formed between people and material culture, both fleeting and sentimental, and how they can come to represent us.