Published in Overland Issue 209 Summer 2012 · Uncategorized Winter war Maria Takolander At dawn the birch trees are ice-smacked: shocked and glassy. The man limps across the snow, like a toad, his only illness memory. Light presses against his eyes, like a shard of the bottle he broke over the night — though it was the evening, softer than skin, that had tempted him from hiding. He recalls the suckling: iron-bitter as the earth, yet river-silken. Then the black sky: pricked with stars like a medieval device and cold as iron. How the birch trees, pale as naked men, were flayed against them. Maria Takolander Maria Takolander is the author of a book of poems, Ghostly Subjects (Salt Publishing 2009), which was shortlisted for a Queensland Premier’s Literary Award in 2010, and her poems have appeared annually in The Best Australian Poems (Black Inc.) and/or The Best Australian Poetry (UQP) since 2005. She was recently awarded an Australia Council grant to complete a collection, The Double, which will be released by Text Publishing in 2013. She is a Senior Lecturer in Literary Studies and Creative Writing at Deakin University in Geelong. More by Maria Takolander › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 21 April 202621 April 2026 · Reviews Pilled to the gills: Ariel Bogle and Cam Wilson’s Conspiracy Nation Cher Tan The question that Conspiracy Nation implicitly raises isn’t why people believe in conspiracy theories but rather why people have stopped trusting official narratives. But what do we do with this knowledge? When we call something a conspiracy theory, what work are we doing? Who benefits from that designation? 17 April 2026 · Friday Fiction These old hands, they are still growing Sam Fisher It was an old house meshed in an unrelenting grid of brick and weatherboard. Its walls still stood stark, red brick. Paint like tender old sagging skin on the timber windows. A bastard of a garden surrounded it, ran up brick wall and concrete path. The lawn, dead that time of year, luminescent in the streetlight. In the center of that void, a sign, Auction.