Published in Overland Issue 209 Summer 2012 · Uncategorized Pillage John Kinsella The museum’s frog info site is sponsored by Alcoa, a company more responsible for the destruction of Hills frog habitat than any other. I went to confirm a childhood memory, and realised those tadpoles and froglets and juvenile frogs we stole from their homes under the spillway of Churchman’s Brook Dam, or from creeks or banks of those creeks downstream that still ran unhindered by engineering, to lift and bottle and translocate to our garden pond (a kind of liberty, we imagined: an old concrete double-sided washtub with its dividing wall smashed through and plughole cemented and buried, so soil and grass lapped its banks), were already or would become Moaning Frogs and Motorbike Frogs. Both defined by their noise, and not their psychologies or composition. We’d observe tadpole conversions. Alcoa mines bauxite. Aluminium comes from bauxite. Each act of extraction is lexical and contrite as donation. No E. M. Forster requirements for narrative are required to tell this story. Its outcomes. Though the sensation of frogskin on your skin was more than citation. And it is with more than détournement that we touch aluminium. John Kinsella John Kinsella’s most recent poetry books include the verse novel Cellnight (Transit Lounge, 2023), The Argonautica Inlandica (Vagabond, 2023), and the three volumes of his collected poems: The Ascension of Sheep (UWAP, 2022), Harsh Hakea (UWAP, 2023) and Spirals (UWAP, 2024). A recent critical book is Legibility: An Antifascist Poetics (Palgrave, 2022). His new book of poetry is Ghost of Myself (UQP, 2025). More by John Kinsella › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 3 June 20263 June 2026 · Reviews The past in the object: Vanessa Berry’s Calendar Courtney Powell In her latest book, Calendar, Vanessa Berry explores the relationships that are formed between people and material culture, both fleeting and sentimental, and how they can come to represent us. 1 June 2026 · Culture We were all workers on GeoCities Maria Dudko GeoCities remains an important reminder that collective labour on the internet is not new — and that recognising ourselves as workers is the first step towards organising as such.