Published in Overland Issue 207 Winter 2012 · Uncategorized Your Bath Fiona Yardley Your bath is generous, impersonal, whitely curved, bloated with self-importance and scummed with a delicate rim of grime. There are scratches in the bottom from careless cleaning, cluttered shampoo bottles with last leavings, half-inches of pearlescent fluid; hairs of all thicknesses and lengths; and dust, and fluff from fresh-washed towels, and striped sunshine. I have left blood, skin, tears, in your bath, every cadence of my voice, sudden laughter. I have been ill, heaved coughing mucus out of heavy lungs, pissed dark streams after dark dreams into the cold porcelain of thoughtless hungover mornings while soaping moody feet. I have stood, washed, picked, scratched away at myself, rubbed skin and hair off my body, scraped razorblades past urgent throbbing veins on marble-white, deforested skin, to be smooth, left the short bristled leavings of ablution curved in gentle interrogatives around the plughole. I have left songs in your bath, so-fa-lahs and tumpty-tums, mellow chords and gentle hums, the echoes of our mingled voices spilling in generous swirls around and around and into the drain. I have cried in caught moments of pure and blazing passion, in joy, in utter despair, wrung out my heart into the sponge and the towel, curled gasping, fishlike, flank to flank with its porcelain sides while eddies of cooler water pool about my thighs and streams run into and out of my eyes. Fiona Yardley Fiona Yardley is a writer, editor, and cultural worker in Sydney. More by Fiona Yardley › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 1 6 November 2026 · Friday Fiction Headland Harry Goddard He must have still been sore. I could tell from the winces he made as he scooted down the trail. Some unspoken agreement of not hitting other people’s children — and the circumstances of me not being that type of kid — spared me from the same punishment. I was taken to my parents who agreed I would have to work off the damages, and I must have mowed the lawn once, or cleaned the family car. 4 November 2026 · Film MIFF, Minotaur and the politics of maternal reception Alicia Byrnes Maternal labour is, in the terms I’ve set out here, not labour at all. Noisy, unfocused, mobile, perhaps even sleepy — it is an affront to arthouse film viewing and therefore unserious.