Published in Overland Issue 206 Autumn 2012 · Uncategorized Sunday poem Fiona Wright Rotate the potato. A labrador is happiest collecting kindling. While the football’s on in the other room we salt the pigskin: O, giver of gout. Brie suctions the wooden platter. Wisteria bruises on the patio. We’ll lock away the candles when the baby learns to crawl. There’s an eggplant outside for you. The stovetop coils sing. You have to take the batteries from the smoke alarms before it crackles. You need new shoes. The dogs haven’t had their breakfast. I haven’t used that bowl since Christmas She boils beans until they look like paper mâché. Ups-a-daisy-daisy-do! The leather lounges shriek when you sit down. Your bedroom still has stickers on the ceiling. He’s got good wrists for flicking teatowels. I’m still having trouble with my pannacotta. The cap of the sauce bottle has scabbed over. Six proteas sit in a cut-glass vase. Take a concrete tablet and harden the fuck up. There are sewing pins in the spice rack. My father’s fingers always get the crisp bits first. It’s been a big week. What’s this one infused with? Pass the gravy, fathead. Fiona Wright Fiona Wright’s new essay collection is The World Was Whole (Giramondo, 2018). Her first book of essays Small Acts of Disappearance won the 2016 Kibble Award and the Queensland Literary Award for nonfiction, and her poetry collections are Knuckled and Domestic Interior. More by Fiona Wright › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 17 June 2026 · The university Financial power in the public university: the case of ANU Beck Pearse The deeper problem is institutional. Universities have elaborate mechanisms for scrutinising knowledge claims circulating between staff and students. But we have remarkably weak mechanisms for scrutinising the financial assumptions through which executive power is exercised. 1 15 June 202616 June 2026 · Reviews Transubstantiations: Toby Fitch’s Or Grace Roodenrys The final trick of Or is that in the end it stages something utterly universal: the search for a momentary recognition of ourselves in language, the maybe-hopeless pursuit of those “very exceptional circumstances” in which something half-truthful might be said, the unending attempt to build something that feels real with the limited resources one has. This is a very old, a very sacred enterprise. We might call it poetry.