Published in Overland Issue 206 Autumn 2012 · Uncategorized My Hounds Corey Wakeling My hounds will never find me, even with the cracks in the tabula rasa. They, after all, have the lyrebird to discover. It will be the Yarra today and for all of tomorrow, though the hawthorn has otherwise captivated my love, though no passage seems to proceed thence. I wasn’t born here and so the Yarra is brown and glossy. The statuary province including Charles George Gordon might bear a basking irrelevance but our hats betray our vagrancy by the Yarra. We sit awhile. The hounds will never find me, my hounds or otherwise, the Yarra yellowing like a similarly withering dandelion overshadowed by the best red gum. She takes pictures of canoes and freshmen, is otherwise captivated by the hawthorn. Princes Bridge outlines the prevailing picture of surveillance and skullcaps, providing the lectern and rostrum to a city proscenium. What emptiness! Still absent. It must be the wigs and the gathered yokes and the black coats the hounds are in thrall of, then. Corey Wakeling Corey Wakeling is a writer, scholar, and translator living in Tokyo. In 2013, he was granted a PhD in English and theatre studies at the University of Melbourne. Corey has lived in Japan since 2015, currently working as an associate professor of English literature at Aoyama Gakuin University. His most recent poetry collection, Uncle of Cats, appears with Cordite in 2024. More by Corey Wakeling › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 1 23 April 202623 April 2026 · The media The importance of democratic frequencies: on the threatened closure of 2SER Daz Chandler 2SER operates not just as a broadcaster, but as an incubator of democratic culture, its alumni carrying forward practices shaped by collaboration, dissent and accountability to community. 21 April 202621 April 2026 · Reviews Pilled to the gills: Ariel Bogle and Cam Wilson’s Conspiracy Nation Cher Tan The question that Conspiracy Nation implicitly raises isn’t why people believe in conspiracy theories but rather why people have stopped trusting official narratives. But what do we do with this knowledge? When we call something a conspiracy theory, what work are we doing? Who benefits from that designation?