Published in Overland Issue 205 Summer 2011 · Uncategorized Bite the Wax Tadpole DJ Huppatz History is the heavy. The Azure Dragon lives in a world woven by ration and romantics. It’s easiest to capture things that don’t move. Large bronze vats, for example. Weeds twist the blue-tiled roof out of proportion, lead petals drop chips on the golden paper sails. My little rose-cherry-rusty lotus bud looked counter-evolutionary in her velvet uniform and silver boots. Xinjiang restaurateurs, Henan recyclers, Anhui maids and Hebei builders, shepherded by an invisible hand, like a swarm of swallows or the melancholic object of her disappearing. In those days there was no electricity, the attendants carried lanterns of scarlet gaze. Now the city’s a radio and the Azure Dragon is broadcasting: “Bite the Wax Tadpole, The World’s Most Stimulating Bland.” DJ Huppatz DJ Huppatz lives in Naarm/Melbourne, Australia. Recent fiction in Variant Literature, Menacing Hedge and Fugitives and Futurists. Author of two poetry books, Happy Avatar (Puncher and Wattmann, 2015) and Astroturfing for Spring (Puncher and Wattmann, 2021). More by DJ Huppatz › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 1 6 November 2026 · Friday Fiction Headland Harry Goddard He must have still been sore. I could tell from the winces he made as he scooted down the trail. Some unspoken agreement of not hitting other people’s children — and the circumstances of me not being that type of kid — spared me from the same punishment. I was taken to my parents who agreed I would have to work off the damages, and I must have mowed the lawn once, or cleaned the family car. 4 November 2026 · Film MIFF, Minotaur and the politics of maternal reception Alicia Byrnes Maternal labour is, in the terms I’ve set out here, not labour at all. Noisy, unfocused, mobile, perhaps even sleepy — it is an affront to arthouse film viewing and therefore unserious.
