Published in Overland Issue 201 Summer 2010 · Main Posts / Writing dinner with aspro Michael Farrell when straight friends change teams / when something that appears to be a nest isnt. because the drive, because the expansion. over & over, jelly like a pistol , random tensions between the poles (a verb there). the interruption shined like the expression holy mackerel distracted. see a spot on the dancefloor? dinosaurs once tromped here, their vicious beaks in the air , making a place for you in dulwich hill. figures drag fathers, hurrying ... how can we be more than we are : having our fun in lanes between bars . shattered dreams of west coast perfection. on finishing the drink his girlfriend bought him : ‘another fabulous project realised’. remember me? the large unidentifiable bone i carry; it wont fit in my vehicle . smells are known to be misleading, like a blue bird of mixed parentage, you into the shallower parts of a forest . ohuh – can we compromise (part alien from living on other planets)? naturally our cloudy kids suffer, forced to do outer-terrestrial raids; intra- universe. theres a surface we agree not to perforate – to make a security issue . accordingly: memory/ies. airport shops , their demands. your soul made of language, one that closes at a touch. the food was more fun than youd think , a few little tricks. there are messages that come from heaven, a filmset , where heroes like shelley live & death is just part of it, or all Michael Farrell Originally from Bombala, NSW, Michael Farrell is a Melbourne-based poet, with a collage practice which can be seen on instagram @limechax. Googlecholia is out now from Giramondo. More by Michael Farrell Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays First published in Overland Issue 228 25 May 202326 May 2023 · Main Posts The ‘Chinese question’ and colonial capitalism in New Gold Mountain Christy Tan SBS’s New Gold Mountain sets out to recover the history of the Gold Rush from the marginalised perspective of Chinese settlers but instead reinforces the erasure of Indigenous sovereignty. Although celebrated for its multilingual script and diverse representation, the mini-TV series ignores how the settlement of Chinese migrants and their recruitment into colonial capitalism consolidates the ongoing displacement of First Nations peoples. First published in Overland Issue 228 23 February 202324 February 2023 · Writing From work to text, and back again: ChatGPT and the (new) death of the author Rob Horning Generative models extinguish the dream that Barthes’s Death of the Author articulates by fulfilling it. Their ‘tissue of signs’ seems less like revolution and more like the fear that AI will create a recursive postmodern nightmare world of perpetual sameness that we will all accept because we no longer remember otherwise or how to create an alternative.