Published in Overland Issue Print Issue 199 Winter 2010 · Main Posts / Writing Salt Adam Ford He steps out onto the dry, white lakebed. Hears the crunch of crystals underfoot. Tries not to imagine whiteness creeping over rubber and dusting leather on its journey to his ankle. He keeps his feet moving all the same. He understands the science: the shallow root systems of introduced plants, the water that rises from deep underground, bringing with it things that are best kept buried. He invokes the mantra of electron transfer, of ionic bonds that form when water evaporates. Magnesium sulphate. Calcium sulphate. Sodium chloride. He knows the physics and the chemistry of it all, but when he bends down on one knee and takes a pinch between his thumb and fingers, feels the grains’ sharp edges intent on piercing skin, he knows it isn’t salt he’s standing on. It’s the powdered glass they put into the flour. Adam Ford Adam Ford is the author of Man Bites Dog, The Third Fruit is a Bird, Not Quite the Man for the Job and Heroes and Civilians. He has written for Australian Author, Desktop, Going Down Swinging and Cordite. He blogs at theotheradamford. More by Adam Ford Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 3 First published in Overland Issue 228 26 May 20238 June 2023 · Writing garramilla/Darwin Lulu Houdini We sit in East Point Reserve and look at how the gidjaas, green ants, make globe-like homes out of the leaves — connected edges with fibrous tissue that I later learn is faithful silk. Safe inside. Why isn’t it safe outside? I pick up the plastic around this circular lake cause this is the way […] First published in Overland Issue 228 25 May 202326 May 2023 · Main Posts The ‘Chinese question’ and colonial capitalism in New Gold Mountain Christy Tan SBS’s New Gold Mountain sets out to recover the history of the Gold Rush from the marginalised perspective of Chinese settlers but instead reinforces the erasure of Indigenous sovereignty. Although celebrated for its multilingual script and diverse representation, the mini-TV series ignores how the settlement of Chinese migrants and their recruitment into colonial capitalism consolidates the ongoing displacement of First Nations peoples.