Published in Overland Issue Print Issue 198 Autumn 2010 · Main Posts The Easement Rebecca Giggs dead ground [ ] in this median season [ ] of trees ingrown [ ] [ ] like scissors pushed [ ] [ ] beneath our feet [ ] known developers rose from the sand [ ] [ ] casting chicken prayer they [ ] ate blue metal to survive there above house cemetery [ ] wild melons sprawled in to rooms of weather [ ] where once we held hands [ ] and plotted or just touched [ ] palms [ ] now the drained pool dreams [ ] and parliament strays bite holes in anything I write [ ] [ at our easement] Rebecca Giggs Rebecca Giggs is a Western Australian writer of fiction, creative non-fiction and poetry. More by Rebecca Giggs › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 16 August 202416 August 2024 · Poetry pork lullaby Panda Wong but an alive pig / roots in the soil /turning it over / with its snout / softening the ground / is this a hymn 28 March 20249 April 2024 · Main Posts Why we should value not only lived experience, but also lived expertise Sukhmani Khorana In the wake of this year’s International Day for the Elimination of Racial Discrimination, I want to extend the central idea of El Gibbs’s 2022 essay on 'lived expertise' and argue that in media accounts of racism, analytical expertise and lived experience ought to be valued together and even in the same body.
